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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gnash © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 28, 2019<February 1, 2019

Music for Feeling Better: An Interview with gnash

Harmony Hall - Vampire Weekend still 1
Features, Music, Reviews, This Just InJanuary 25, 2019<December 18, 2019

Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction

Craig Stickland © 2019
Music, PremieresJanuary 25, 2019<January 25, 2019

Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down”

Jon Bryant © Carly Dame
Music, Music Videos, PremieresJanuary 24, 2019<January 24, 2019

Premiere: Assuming Responsibility with Jon Bryant’s Poignant “Did What I Did”

The National Lights
Music, PremieresJanuary 24, 2019<January 24, 2019

Premiere: “Lantern and Whalebone,” The National Lights’ Nautical Reflection

Hannie © 2019
Music, Premieres, ReviewsJanuary 24, 2019<January 24, 2019

Premiere: Sing Your Heart Out to HANNIE’s “Drama”

The Weight of Melted Snow - French For Rabbits
Features, Music, PremieresJanuary 24, 2019<October 17, 2019

Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’

Raquel Bell Who Gets To Name The Name still
Columns, Music, PremieresJanuary 23, 2019<January 23, 2019

Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name”

Editor's Picks 01-21-2019
Columns, Editor's Picks, Features, MusicJanuary 22, 2019<January 30, 2019

Editor’s Picks: January 21, 2019

Star Rover by Shervin Lainez
Music, Music Videos, PremieresJanuary 22, 2019<January 22, 2019

Watch: Exploring ‘Almost’ in Star Rover’s Glitchy, Beachy “Byron Bay”

The Proud Sons © Francesca Ludikar
Music, Music Videos, PremieresJanuary 21, 2019<January 21, 2019

Premiere: Embracing Heartache in The Proud Sons’ Radiant “Company”

Natalie Shay "Yesterday" © Max Giorgeschi
Music, Music Videos, PremieresJanuary 18, 2019<January 18, 2019

Video Premiere: Natalie Shay Ascends with Stunning Pop Anthem “Yesterday”

The Blue Winter © 2019
Music, PremieresJanuary 18, 2019<January 18, 2019

Premiere: The Blue Winter’s Beautifully Vulnerable Folk Song “Up on the Stage”

MINT - Alice Merton
Debut, Features, Interviews, MusicJanuary 17, 2019<January 30, 2019

‘MINT’, Melody, and Meaning: An Interview with Alice Merton

Funeral Advantage © Caroline Bailey
Music, PremieresJanuary 17, 2019<January 17, 2019

Premiere: Funeral Advantage’s Stirring “Black House,” an Indie Pop Confession

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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