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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Henry Street - ALAE
Debut, Music, Premieres, ReviewsOctober 24, 2018<October 26, 2018

Album Premiere: Alae Emerge with Intimate & Effortless Debut ‘Henry Street’

Good Night Gold Dust © Dan Dinsmore
Music, PremieresOctober 24, 2018<October 24, 2018

A Rush of Feeling: Good Night Gold Dust Return with “Thieves”

GEMS - Do Ra cover
Debut, Music, PremieresOctober 23, 2018<October 23, 2018

EP Premiere: Symmetry, Elegance, and Intent in Do Ra’s Debut ‘GEMS’

InAbell © 2018
Music, Music Videos, PremieresOctober 23, 2018<October 23, 2018

Video Premiere: InAbell’s Bittersweet, Touching “Nightgown” and the Vibrance of Memory

Let's Go Out Tonight - The Active Set
Music, Music Videos, PremieresOctober 22, 2018<October 22, 2018

Video Premiere: Energy & Excitement Course Through The Active Set’s “Let’s Go Out Tonight”

Beach House - ASL Age.Sex.Location
Music, Music Videos, PremieresOctober 22, 2018<October 6, 2020

Premiere: Age.Sex.Location’s Intimate “Cinnamon Girl” Evokes the Sweet Taste of Connection

IMOGEN © Ruth Kilpatrick
Debut, Music, Premieres, ReviewsOctober 22, 2018<October 22, 2018

EP Premiere: The Poetic Vulnerability of IMOGEN’s Breathtaking Debut ‘Faze Green’

Equador © 2018
Music, Music Videos, PremieresOctober 19, 2018<October 19, 2018

Premiere: Urgency & Unrest in Equador’s Immersive “Treble Oh”

Kramies © Jérôme Sevrette
Interviews, Music, ReviewsOctober 19, 2018<October 19, 2018

Venture into Kramies’ Abstract Personal Diary, ‘Of All the Places Been & Everything the End’

Palmas © 2018
Music, PremieresOctober 18, 2018<October 18, 2018

Premiere: Palmas Dazzle with Warm Wonder in “Where Are You Going?”

Holy Golden © Dana Trippe
Music, PremieresOctober 18, 2018<October 18, 2018

Premiere: Higher Connection in Holy Golden’s Dreamy “Seven of Diamonds”

prinze george © Joilyn Jackson
Music, Premieres, ReviewsOctober 18, 2018<October 18, 2018

Premiere: Prinze George Take Flight with Bold, Bright ‘Airborne’ EP

Music, Music Videos, PremieresOctober 18, 2018<October 18, 2018

Premiere: Dark Urgency Rushes Through Hunter & The Bear’s “Chemical” Video

Karim © Poppy Marriott // https://www.poppymarriott.co.uk/
Music, PremieresOctober 17, 2018<October 17, 2018

Premiere: “Dance” All Them Lovers Away with Karim’s Intimate Alt-Pop Jam

Yeses EP - Yeses
Music, Premieres, ReviewsOctober 17, 2018<October 16, 2018

EP Premiere: Yeses Debuts with Majestic Alt-Folk Wonder

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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