• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Lindsay Kay © Anastasia Lebedeva
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: A Moving Ritual in Lindsay Kay’s “Sunday,” a Somber Search for Faith

Megan Bonnell © Jen Squires
Music, Music Videos, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Megan Bonnell Dazzles with Love & Grief in “Your Voice”

The Britanys © Sophia Ragomo
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: The Britanys’ Raw & Lonely Helpline, “I Don’t Know How to Be Alone”

Ain't My Scene - JD Eicher
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: You’ll Fit in at JD Eicher’s Pool Party, “Ain’t My Scene”

Jublio Drive © Rayana Chumthong
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: EXTRA! EXTRA! Stream Jubilo Drive’s “All U Can Eat” NOW!

Nobody's Home Art d'Ecco 2018
Music, Music Videos, PremieresSeptember 6, 2018<September 6, 2018

Premiere: See & Be Seen in Art D’Ecco’s Magically Indulgent “Nobody’s Home”

Trevor James Tillery © Cobey Arner
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: The Dark Allure of Trevor James Tillery’s “Resolve (In Cold Blood)”

Seafret © 2018
Features, Interviews, Music, Premieres, ReviewsSeptember 6, 2018<September 6, 2018

Premiere: The Beautiful, Raw Depths of Seafret’s Monsters EP

Just Seconds Apart © Zee Peralta
Music, PremieresSeptember 5, 2018<October 3, 2018

Premiere: Just Seconds Apart Erupt with Catchy & Intimate “Good to Know”

Tomten © A Francis Vilendrer
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: Turning Over Tomten’s Rollicking “New Leaf”

Brett Altman © Phil Silverberg
Music, PremieresSeptember 5, 2018<September 5, 2018

Premiere: “Is He Thinking of You,” Brett Altman’s Non-Traditional Breakup Song

Arts Fishing Club © Alex Justice
Music, PremieresSeptember 5, 2018<December 13, 2022

Premiere: Deflating Egos with Arts Fishing Club’s Wily “Icarus”

Royal Teeth © Jakob Wandel
Features, Interviews, Music, ReviewsSeptember 5, 2018<October 10, 2018

Royal Teeth Are Never Gonna Quit: An Interview about Perseverance & Change

TREY © 2018
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Ambience & Acceptance in TREY’s Intimate “Outofline”

Salim Nourallah © Casey Pinckard
Music, PremieresSeptember 4, 2018<September 4, 2018

Premiere: Salim Nourallah’s Hopelessly Romantic “Rainbow Dolphins”

Posts pagination
1 … 215 216 217 218 219 … 291

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services