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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Katherine Redlus © Michael Amico Photography
Music, PremieresSeptember 25, 2018<September 25, 2018

Premiere: Self-Worth & Belonging in Katherine Redlus’ Enchantingly Ethereal “Welcome Home”

Pott County - Pony Creek © Aaron Gum
Music, Music Videos, PremieresSeptember 24, 2018<September 24, 2018

Premiere: Pony Creek’s Outlaw Fantasy “Pott County”

Aya Safiya © Tano Brock
Music, ReviewsSeptember 21, 2018<September 21, 2018

EP Review: Aya Safiya’s Sweetly Enchanting and Assertive Debut

It's My Show! - Broken Baby
Music, Music Videos, PremieresSeptember 21, 2018<September 21, 2018

Premiere: The Fierce, Indulgent Energy of Broken Baby’s “It’s My Show!” Video

Jagwar Twin © Fabien Montique
Debut, Features, Interviews, MusicSeptember 21, 2018<November 7, 2018

Sunshine in the Mind: An Interview with Jagwar Twin

Greg Wanders © Amelia Fearn
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Hypnotic Freedom of Greg Wanders’ Moving “Unbound”

Truth - Jake Tavill
Music, Music Videos, PremieresSeptember 20, 2018<September 20, 2018

Premiere: Family, Façades, and Jake Tavill’s Fierce “Truth” Video

Love Kills - Coyle Girelli
Debut, Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: Coyle Girelli’s Beautiful, Dark Masterpiece ‘Love Kills’

Loner VS Lover - Piqued Jacks
Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Piqued Jacks Erupt with Glitchy, Self-Reflective “Loner VS Lover”

Dan Too © 2018
Debut, Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris”

Chris Ayer © Chris Wood
Music, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger”

Glass Heart String Choir © 2018
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Cinematic Grace of Glass Heart String Choir’s Debut “Wildfires”

Michael Burrows © Dean Schmideg
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Tender Ache of Michael Burrows’ Bittersweet “Please Don’t Cry”

FINLAY © 2018
Music, Music Videos, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Bask in the Unapologetic Energy of FINLAY’s “TIDES”

BETS © Kanya Iwana
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: Vulnerability Is Beautiful in BETS’ Intimate “Gold”

Posts pagination
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Recent Posts

  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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