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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

F&M © Francis A Willey
Music, Music Videos, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Poignant Beauty of F&M’s Enchanting “Lessons From Losers”

Dominique © Joshua Shultz
Debut, Interviews, Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Dominique Inspires with Refreshing, Raw Debut “Convince You”

Casey Dubie © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Casey Dubie’s Moving “Confetti” Cherishes Fleeting Love

Casey Lowry © 2018
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: Revel in “Blank Face,” Casey Lowry’s Catchy Communication Breakdown

Jong SL © Cameron Rollins
Music, PremieresSeptember 12, 2018<September 12, 2018

Premiere: The Bittersweet, Haunting Pull of Jong SL’s “Driving Away”

The Brevet © Pete Black
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Rock Out to the The Brevet’s Intoxicating “Gateway Drug”

Lindsay Kay © Anastasia Lebedeva
Music, PremieresSeptember 11, 2018<September 11, 2018

Premiere: A Moving Ritual in Lindsay Kay’s “Sunday,” a Somber Search for Faith

Megan Bonnell © Jen Squires
Music, Music Videos, PremieresSeptember 11, 2018<September 11, 2018

Premiere: Megan Bonnell Dazzles with Love & Grief in “Your Voice”

The Britanys © Sophia Ragomo
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: The Britanys’ Raw & Lonely Helpline, “I Don’t Know How to Be Alone”

Ain't My Scene - JD Eicher
Music, Music Videos, PremieresSeptember 7, 2018<September 7, 2018

Premiere: You’ll Fit in at JD Eicher’s Pool Party, “Ain’t My Scene”

Jublio Drive © Rayana Chumthong
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: EXTRA! EXTRA! Stream Jubilo Drive’s “All U Can Eat” NOW!

Nobody's Home Art d'Ecco 2018
Music, Music Videos, PremieresSeptember 6, 2018<September 6, 2018

Premiere: See & Be Seen in Art D’Ecco’s Magically Indulgent “Nobody’s Home”

Trevor James Tillery © Cobey Arner
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: The Dark Allure of Trevor James Tillery’s “Resolve (In Cold Blood)”

Seafret © 2018
Features, Interviews, Music, Premieres, ReviewsSeptember 6, 2018<September 6, 2018

Premiere: The Beautiful, Raw Depths of Seafret’s Monsters EP

Just Seconds Apart © Zee Peralta
Music, PremieresSeptember 5, 2018<October 3, 2018

Premiere: Just Seconds Apart Erupt with Catchy & Intimate “Good to Know”

Posts pagination
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Recent Posts

  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
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  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
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  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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