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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

James Bay © Emily Hope
Essays, Music, ReviewsMarch 15, 2019<April 1, 2019

Basking in James Bay’s Electric Light

editor's picks 3-11-2019
Columns, Editor's Picks, Music, PlaylistsMarch 14, 2019<March 20, 2019

Editor’s Picks: Women’s History Month 2019

Gold Light 2019
Music, PremieresMarch 14, 2019<March 14, 2019

Premiere: Gold Light + Snakemusk’s Forlorn “The Heart Is a Lonely Hunter”

The Get Ahead © 2019
Music, PremieresMarch 14, 2019<March 13, 2019

Premiere: The Summer Glow of The Get Ahead’s “July Moon”

Tadhg Daly - Hit The Ground 2019
Music, PremieresMarch 13, 2019<March 13, 2019

Premiere: Tadhg Daly Soars in Vulnerable Anthem “Hit the Ground”

Wy "Softie" © 2019 (Ebba Ågren and Michel Gustafsson)
Music, Music Videos, PremieresMarch 12, 2019<March 12, 2019

Premiere: Clowning Around with Wy’s Intimate, Stunning Anthem “Softie”

Once - Pirra
Music, Music Videos, PremieresMarch 11, 2019<March 11, 2019

Premiere: The Natural Reflection of Pirra’s Indulgent “Once” ft. JFT

Sinclair © Tobias Ortmann
Interviews, Music, Music Videos, PremieresMarch 11, 2019<March 11, 2019

Feature: Sinclair’s Intimate Celebration “Pop! Champagne”

The Roves 2019
Music, PremieresMarch 11, 2019<March 11, 2019

Premiere: North London’s The Roves Are Raw & Adrift in “Who’s Sleeping on the Throne”

Marinho © Marta Olive
Music, Music Videos, PremieresMarch 8, 2019<March 7, 2019

Premiere: Moving on Gracefully with Marinho’s Debut “Ghost Notes”

Jon and Roy © Sierra Lundy
Music, ReviewsMarch 7, 2019<March 7, 2019

Review: Jon and Roy Capture the Moment’s Energy in ‘Here’

Wolfchild © Kelsey Kundera
Music, PremieresMarch 7, 2019<March 7, 2019

Premiere: Tell Your Lover You Love Her with Wolfchild’s “Blood Moon”

Bluebiird © Emily Osment
Debut, Features, Music, PremieresMarch 7, 2019<October 2, 2019

Emily Osment Takes Flight in Bluebiird’s Debut “Black Coffee Morning”

Jacob and Fanny
Music, Music Videos, PremieresMarch 6, 2019<March 6, 2019

Premiere: Jacob and Fanny’s Passionate Embrace “Hold on to Me”

The Harmaleighs by Ruth Chapa
Music, PremieresMarch 6, 2019<March 6, 2019

Premiere: Indie Rock Anxiety in The Harmaleighs’ “Sorry, I’m Busy”

Posts pagination
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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
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  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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