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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Oginalii © Matt Blum
Music, PremieresOctober 4, 2018<October 4, 2018

Premiere: Oginalii’s Passionate “No Littering” Embraces the Freedom of Choice

Imagine Dragons © Nolan Knight Photography
Features, Interviews, MusicOctober 4, 2018<March 2, 2025

Interview with Imagine Dragons: From Visions to Origins, Forever Evolving

LACES © Chris Wood Pictures
Music, PremieresOctober 4, 2018<October 10, 2018

Premiere: LACES Returns with Intimate, Vulnerable “someday is not tonight”

Tor Miller © Erica Snyder
Features, Music, Premieres, ReviewsOctober 3, 2018<October 3, 2018

Premiere: Tor Miller’s Moving ‘My Life Surviving the Suburbs’ Documentary

JØUR © Hilary Olson Photography
Debut, Features, Music, PremieresOctober 3, 2018<October 3, 2018

Album Premiere: JØUR’s Deep, Dark, and Irresistible Debut ‘Chiaroscuro’

Move Us - Anne Malin still
Music, Music Videos, PremieresOctober 2, 2018<October 2, 2018

Premiere: The Weight, Ache, and Intrepid Spirit of Anne Malin’s “Move Us”

YOY © Laura Campana
Debut, Features, Interviews, MusicOctober 2, 2018<October 2, 2018

Interview: YOY Debut with Immersive, Entrancing “Infinite” ft BIRTHH

Blood On The Floor - Jack KILLEN
Music, Music Videos, PremieresOctober 1, 2018<October 1, 2018

Premiere: Take a Step Back with Jack Killen’s Invigorating “Blood on the Floor”

Greg Holden © 2018
Features, Interviews, Music, Music Videos, PremieresOctober 1, 2018<October 10, 2018

Inspiration, Evolution, & “The Power Shift”: An Interview with Greg Holden

Violetta Zironi © Bettina Zironi
Music, Music Videos, PremieresSeptember 27, 2018<September 27, 2018

Premiere: Violetta Zironi’s Heartbreaking & Breathtaking Confession “Little Wound”

Wild - Dhruv Visvanath
Music, PremieresSeptember 27, 2018<September 27, 2018

Premiere: NDS Brings Wide-Eyed Wonder to Dhruv Visvanath’s “Wild” Remix

Tadhg Daly © Bradley O’Malley
Debut, Music, Music Videos, PremieresSeptember 26, 2018<February 20, 2019

Premiere: Freedom Rings in Tadhg Daly’s Anthemic Debut “Too Late”

Hello June album cover 9.1
Debut, Features, Music, PremieresSeptember 26, 2018<October 4, 2023

Album Premiere: The Intimate Alternative Warmth of Hello June’s Dazzling Debut Album

Nora Keyes © Leva Ann
Music, PremieresSeptember 25, 2018<September 25, 2018

Premiere: Love, Truth, and Beauty Reign Supreme in Nora Keyes’ “Kingdom of the Sun”

Katherine Redlus © Michael Amico Photography
Music, PremieresSeptember 25, 2018<September 25, 2018

Premiere: Self-Worth & Belonging in Katherine Redlus’ Enchantingly Ethereal “Welcome Home”

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Weekly Roundup
    • Music You Should Know
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