• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Belle of the Fall © Mike Marques
Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Rise Up” with Belle of the Fall’s Uplifting Folk Beauty

DENNY © 2017
Features, Music, PremieresFebruary 12, 2018<February 12, 2018

Premiere: “Something Furious,” DENNY’s Entrancing Love-Soaked Euphoria

Karaoke Life - Blue Jazz TV
Music, Music Videos, PremieresFebruary 9, 2018<February 9, 2018

Premiere: Be What You Want in Blue Jazz TV’s “Karaoke Life”

James Bay © Sarah Piantadosi
Features, Music, Reviews, This Just InFebruary 8, 2018<February 12, 2018

This Just In: James Bay Returns with Intimate, Electrifying “Wild Love”

The Young Novelists © Jen Squires
Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: The Young Novelists “Come Round Again” with Euphoric Bliss

Beauty Sleep © 2018
Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: Beauty Sleep Dreamily Yearn for “The Feeling Back”

Goldsmoke © 2018
Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: The Heavy Heat of Goldsmoke’s “I’m Not Looking” for Love Song

RIVVRS © David Cano
Music, Music Videos, PremieresFebruary 8, 2018<February 8, 2018

Premiere: RIVVRS Blasts Off on Raw, Reflective “Don’t Wanna Know”

Knees - Mr. Carnivore
Columns, Music, Reviews, Today's SongFebruary 8, 2018<February 7, 2018

Today’s Song: Mr. Carnivore’s “Knees” Taps into Intimacy’s Darkness

LE∆DR © Margo Victor
Debut, Music, PremieresFebruary 7, 2018<February 7, 2018

Premiere: The Ethereal White Energy of LE∆DR’s Debut “Waves”

Jordan Tyler © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Jordan Tyler’s Intoxicating, Lovelorn Debut “Hungover”

Anna Altar © Sarah Thompson
Debut, Music, PremieresFebruary 6, 2018<March 27, 2018

Premiere: Anna Altar’s Debut “Like You” Captures Connection’s Beauty & Pain

Swerve © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: “Lose Control” with Swerve’s Sunny Feelgood Vibes

Jane Church © 2018
Music, PremieresFebruary 6, 2018<February 6, 2018

Premiere: Fuzz-Rock Dreams in Jane Church’s “Rocket to the Kremlin”

Matador Soul Sounds © Ashley LaBlonde, Wide Eyed Studios
Music, PremieresFebruary 5, 2018<February 5, 2018

Premiere: Matador! Soul Sounds’ Vibrant “Too Late” Is Right on Time

Posts pagination
1 … 243 244 245 246 247 … 296

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services