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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Chris Leamy © Will Wu
Music, PremieresJanuary 25, 2018<January 25, 2018

Premiere: Chris Leamy Shines in Soulful Anthem “Great Mistakes”

Too Young for New York - Alexander Fairchild
Music, PremieresJanuary 25, 2018<January 25, 2018

EP Premiere: Finding Purpose in Alexander Fairchild’s ‘Too Young for New York’

Porter Party - Nuke Fun
Debut, Music, ReviewsJanuary 24, 2018<January 24, 2018

EP Review: Nuke Fun Debut with Electric ‘Porter Party’

The Undercover Dream Lovers © 2018
Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: The Undercover Dream Lovers’ Hazy, Radiant “Stop & Listen”

Tenderfoot © Ryan Baker
Debut, Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: Escapism and Indulgence Fuel Tenderfoot’s Raw “Palms”

Born Stranger © 2018
Music, PremieresJanuary 24, 2018<January 25, 2018

Premiere: Born Stranger & Vivienne Chi Embrace the “Pain” of Love

JAIE © 2018
Debut, Features, Music, ReviewsJanuary 23, 2018<February 16, 2018

EP Review: JAIE Lights a Fire with Intimate Electro-RnB Debut ‘December’

White Lies - White Lies - WarmingWarming
Music, PremieresJanuary 23, 2018<January 23, 2018

Premiere: Warming’s Sunny “White Lies” Dives into Addiction

Lake Jons © 2017
Debut, Features, Music, Our Take, ReviewsJanuary 23, 2018<April 12, 2019

Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut

City of Union © 2018
Music, PremieresJanuary 22, 2018<January 22, 2018

EP Premiere: ‘Birds of Paradise,’ City of Union’s 4-Sided Emotional Tapestry

You or Nothing - FERGUS
Debut, Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: A Heartfelt Surrender in FERGUS’ Stunning Debut “You or Nothing”

Kailee Morgue © Catie Laffoon
Debut, Features, Interviews, Music, ReviewsJanuary 19, 2018<January 31, 2018

Dark Spells & Light Dreams: A Conversation with Kailee Morgue

The Minnesota Child © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The Minnesota Child Lace Hope & Resilience into “Stay with Me”

The 1 Class © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The 1 Class Dare You to Think in “How Real Men Look”

Grace Basement © Corey Woodruff
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: Grace Basement’s “Summertime Is Coming” Shines Warmth Through Sorrow

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
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  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
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  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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