• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Another Land - OxenFree
Features, Music, Premieres, ReviewsOctober 12, 2017<October 13, 2017

EP Premiere: A Roaring Journey Through OxenFree’s ‘Another Land’

Klez © 2017
Music, PremieresOctober 11, 2017<October 11, 2017

Premiere: The Inclusive Light of Klez’s “Sons & Daughters”

Delano - Area Resident
Music, PremieresOctober 11, 2017<October 11, 2017

Premiere: The Refreshing Spark of Area Resident’s “Riverside”

Blind Pilot © Ben Moon
Features, Interviews, MusicOctober 11, 2017<March 27, 2018

The Warmth of Connection: An Interview with Blind Pilot

Bermuda Angels © 2017
Debut, Music, Music Videos, PremieresOctober 11, 2017<October 11, 2017

Video Premiere: Bermuda Angels’ Intoxicatingly Dark “I Should Be Shot”

SUAD © 2017
Features, Music, PremieresOctober 10, 2017<October 17, 2017

Premiere: SUAD Answers “The Call” with Fire and Grace

Agnes - Glass Animals
Features, Music, ReviewsOctober 9, 2017<December 15, 2020

The Fragile, Overwhelming Power of Glass Animals’ “Agnes”

Features, Music, Music Videos, PremieresSeptember 15, 2017<October 10, 2017

Video Premiere: The Natural Warmth & Beauty of Ásgeir’s “I Know You Know”

The National Parks © 2017
Features, Music, PremieresSeptember 8, 2017<September 8, 2017

Premiere: Passion & Perseverance in The National Parks’ Driving “Currents”

See Her Tonight - J Marco 2017
Music, PremieresSeptember 7, 2017<September 7, 2017

Premiere: Love, Hope, and Hunger in J. Marco’s Anthemic “See Her Tonight”

j hacha de zola © Miguel Peralta Jr.
Music, PremieresSeptember 6, 2017<September 6, 2017

Premiere: The Chaos and Fury of J Hacha de Zola’s “March of the Hollowmen”

Anatomy of Frank © 2017
Features, Music, PremieresAugust 31, 2017<August 31, 2017

Album Premiere: The Anatomy of Frank Find Warmth in the Cold on ‘South America’

Melissa Plett © Annick Marion
Music, PremieresAugust 25, 2017<August 25, 2017

Premiere: The Sober Edge of Melissa Plett’s “Handle of Whisky”

Ian Randall Thornton © 2017
Music, Music Videos, PremieresAugust 24, 2017<August 24, 2017

Premiere: Ian Randall Thornton’s “See You Through” Embraces Youth and Life

Sleepwalking - The Sweeplings
Features, Music, Premieres, ReviewsAugust 24, 2017<August 24, 2017

EP Premiere: The Haunting Allure of The Sweeplings’ Sleepwalking

Posts pagination
1 … 257 258 259 260 261 … 297

Recent Posts

  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services