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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Evangelia
Debut, Music, PremieresAugust 11, 2017<August 11, 2017

Premiere: The Warm Embrace of Evangelia’s Debut “Cold”

Casii Stephan © Tony Li
Music, PremieresAugust 11, 2017<August 11, 2017

Premiere: The Euphoric Energy of Casii Stephan’s “Ghostships”

Young Creatures © Patrick Do
Music, PremieresAugust 10, 2017<August 10, 2017

Premiere: Young Creatures Seize Each Moment in “To Be Alive”

Gary J © 2017
Debut, Music, PremieresAugust 10, 2017<August 10, 2017

Premiere: Gary J Debuts with Dark Wake-Up Call “Edge of the Night”

Petunia You're Home - Walter Etc.
Music, PremieresAugust 10, 2017<August 10, 2017

Premiere: Warmth, Hope and Dreams in Walter Etc.’s “Petunia You’re Home”

Tom Forest - Believer 2017
Music, Music Videos, PremieresAugust 10, 2017<August 10, 2017

Premiere: Tom Forest Will Be Your “Believer” in Powerful New Song

Ruby Force © Casey Curry
Music, Music Videos, PremieresAugust 9, 2017<August 9, 2017

Video Premiere: Ruby Force’s Heartfelt, Howlin’ “Ode to Vic Chesnutt”

All Is Well © 2017
Music, PremieresAugust 9, 2017<August 9, 2017

Premiere: The Intimate Intensity of All Is Well’s “Push You”

Joey Sweeney © Marie Alyse Rodriguez
Music, PremieresAugust 8, 2017<August 8, 2017

Premiere: The Warmth of Joey Sweeney & The Neon Grease’s “Black Ice”

Half Gringa © 2017
Debut, Music, PremieresAugust 7, 2017<August 7, 2017

Premiere: The Vulnerable Intensity of Half Gringa’s “Body of Water”

FRND © 2017
Debut, Features, Interviews, MusicAugust 4, 2017<September 17, 2022

In Your Dreams and Real: A Conversation with FRND

Topaz © 2017
Music, PremieresAugust 4, 2017<August 4, 2017

Premiere: The Deep, Pulsing Vibes of Topaz’s “I Can Tell”

Broken - 4TK The Fourth Kingdom
Music, PremieresAugust 4, 2017<August 4, 2017

Premiere: Dark Pop & Pain in The Fourth Kingdom’s “Broken”

Patrick James © 2017
Columns, Music, Today's SongAugust 4, 2017<August 4, 2017

Today’s Song: Patrick James’ Soulful & Enduring “Lay It Down”

How It Has To Be - Looms album art
Features, Music, Premieres, ReviewsAugust 3, 2017<August 3, 2017

Album Premiere: The Dazzling Depth of Looms’ ‘How It Has to Be’

Posts pagination
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Recent Posts

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  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
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  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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