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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

MAALA - "Kind of Love" music video screenshot
Features, Interviews, MusicJune 20, 2016<June 21, 2016

That Lustful Kind of Love: A Conversation with MAALA

Rorie © Stephen Stonestreet
Debut, Features, Music, Music Videos, PremieresJune 17, 2016<June 17, 2016

Exclusive Premiere: Rorie’s “Storyteller” Sees Through Blind Love

Shadow of the City Music Festival 2016
Features, Festival, Music, News, PreviewsJune 17, 2016<June 17, 2016

(Y)Our Music Guide to Shadow of the City 2016

Debut, Features, Music, PremieresJune 16, 2016<June 16, 2016

Exclusive Premiere: Agelast Immortalizes Love on “A Different Time”

Screenshot from "Life Itself" by Glass Animals
Columns, Music, Music Videos, Today's SongJune 13, 2016<May 6, 2017

Today’s Song: Glass Animals and the Meaning of “Life Itself”

Northside Festival 2016 poster
Features, Festival, Music, News, PreviewsJune 10, 2016<June 10, 2016

(Y)Our Music Guide to Northside Festival 2016

The Temper Trap 2016
Columns, Music, Today's SongJune 9, 2016<June 9, 2016

Today’s Song: The Temper Trap “Burn” with Unrelenting Passion

Frank Turner at Irving Plaza, © Mitch Mosk 2015
Features, Interviews, MusicJune 7, 2016<July 31, 2018

Music Is the End: A Conversation with Frank Turner

Mimes of Wine
Features, Music, Music Videos, PremieresJune 3, 2016<June 3, 2016

Exclusive Premiere: Mimes of Wine’s Beautifully Mysterious “Birds of a Feather” and its Out-of-Focus Focus

These Wild Plains © Lisa Czech
Features, Festival, Interviews, MusicJune 3, 2016<June 3, 2016

Rugged and Plainsy or Wildly Plain? A Conversation with These Wild Plains

Scuzz Ortegé
Columns, Debut, Music, Today's SongJune 1, 2016<June 1, 2016

Today’s Song: Scuzz Ortegé Steps Up to Fight on Debut “Bodies”

Earthquake Weather - Onsen
Debut, Features, Music, PremieresMay 31, 2016<May 12, 2020

Exclusive Premiere: Onsen’s “What Fortunes” at the Crossroads of Breakup

Boston Calling May 2016
Features, Festival, Music, News, PreviewsMay 27, 2016<December 10, 2024

(Y)Our Guide to Boston Calling Music Festival, May 2016

Dustin Tebbutt © Cybele Malinowski
Columns, Music, Today's SongMay 25, 2016<May 25, 2016

Today’s Song: Dustin Tebbutt Falls in Love at “First Light”

Rae Fitzgerald © Scott Peterson
Features, Music, PremieresMay 24, 2016<May 24, 2016

Exclusive Premiere: Rae Fitzgerald’s “Lost in Ukrainian Village” Longs for ‘Home’

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Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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