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Sophie Prettyman-Beauchamp

Sophie Prettyman-Beauchamp

Sophie Prettyman-Beauchamp (they/them) is a Los Angeles-born-and-based writer, photographer, and multidisciplinary creative. During their time in film school, they hosted a radio show on KUCI 88.9 FM and began their career as a music journalist, interviewing artists and covering the live music scene across Southern California. In addition to their work with Atwood, they write and shoot for LA music publication Be In A Band Or Die and host the weekly music program 8-Track Sabbath on Moon Glow Radio under the moniker DJ prettyuglyman. Get in touch with them on social media. (Photo by Lily Correa Lewites)

Durand Jones & The Indications © Ebru Yildiz
Features, Interviews, MusicSeptember 22, 2021<September 26, 2021

Interview: We Can Dance Together Once More with Durand Jones & The Indications’ ‘Private Space’

Features, Interviews, MusicSeptember 1, 2021<September 1, 2021

Interview: Indigo De Souza Embraces Every Part of Herself on ‘Any Shape You Take’

Interviews, MusicAugust 20, 2021<August 20, 2021

‘Deep States,’ Hive Minds and End Times: A Conversation with Tropical Fuck Storm

Why Solange Matters
Features, Interviews, MusicJuly 6, 2021<July 6, 2021

Why Solange Matters: A Conversation with Big Joanie’s Stephanie Phillips

Tonje Thilesen
Interviews, MusicMay 28, 2021<May 30, 2021

The Healing Power of Queer Friendship: A Conversation with Bachelor

Wink - CHAI
Music, ReviewsMay 26, 2021<May 27, 2021

Review: CHAI Embark on Adventures Close to Home on ‘WINK’

Mannequin Pussy © Phobymo
Features, Interviews, MusicMay 21, 2021<May 21, 2021

“We Want to Be a Band for the Future”: A Conversation with Mannequin Pussy’s Marisa Dabice

Music, ReviewsMay 13, 2021<May 13, 2021

Review: Contour’s ‘Love Suite’ EP Exists in a Realm of Its Own

Music, ReviewsMay 10, 2021<May 10, 2021

Review: Iceage Turns a New Corner on ‘Seek Shelter’

Columns, Features, Today's SongApril 26, 2021<April 27, 2021

Today’s Song: JayWood Looks Back While Moving Ever-Forward on New Single “Some Days”

Music, ReviewsApril 9, 2021<April 9, 2021

Review: Spirit of the Beehive Become One with the Ether on ‘ENTERTAINMENT, DEATH’

liv.e © flatspot_
Columns, Music, Today's SongMarch 23, 2021<March 23, 2021

Today’s Song: Liv.e Makes Her Big Catch on “You the One Fish in the Sea”

Interviews, MusicMarch 5, 2021<March 2, 2025

Interview: IAN SWEET’s Jilian Medford Finds Herself Again on ‘Show Me How You Disappear’

Frances Quinlan © Julia Khoroshilov
Music, ReviewsFebruary 24, 2021<March 20, 2022

Review: Looking Back on Frances Quinlan’s ‘Likewise’ a Year Later

Black Women in Music: 2021 Playlist
Music, PlaylistsFebruary 17, 2021<March 23, 2022

Playlist: Black Women in Music You Won’t Want to Miss

Posts pagination
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Recent Posts

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  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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