December 13, 2018<December 12, 2018 Today’s Song: French for Rabbits Explore New Heights with “Highest Hill” by Francesca Rose
December 12, 2018<December 20, 2018 Premiere: FERGUS’ Hauntingly Tender “Strangers in the Night” Will Take Your Breath Away by Mitch Mosk
December 12, 2018<December 12, 2018 Today’s Song: JP Saxe Reimagines the Breakup Anthem with “25 in Barcelona” by Luke Pettican
December 11, 2018<December 20, 2018 Mistletones: End-of-Year Euphoria Courtesy of Whyte Horses’ Christmas Song “Next Year Will Be Mine” by Francesca Rose
December 11, 2018<December 9, 2018 Today’s Song: Matt Mays Reinvents Himself with Haunting “Howl at the Night” Acoustic Version by Oliver Crook
December 10, 2018<May 31, 2022 Today’s Song: Carly Rae Jepsen’s “Party for One” Is an Ode to Solitude by Danny Vagnoni
December 7, 2018<December 21, 2018 Atwood Magazine’s Weekly Roundup: December 7, 2018 by Atwood Magazine Staff
December 7, 2018<December 7, 2018 Today’s Song: Gengahr Embrace Vulnerability in “Where Wildness Grows” by Ditta Demeter
December 6, 2018<December 6, 2018 The Water Cycle Embody Nostalgia & Infatuation in “(You’re So Square) Baby I Don’t Care” by Coco Rich
December 5, 2018<February 6, 2024 Viewfinder: “Company” and “All Is Full of Love” Examine the Interplay Between Love & Technology by Carmen Chan
November 30, 2018<November 30, 2018 Atwood Magazine’s Weekly Roundup: November 30, 2018 by Atwood Magazine Staff
November 30, 2018<November 29, 2018 Today’s Song: Hozier’s “Movement” Pulsates with Powerful Sensuality by Ilana Kalish
November 28, 2018<August 5, 2021 The Alchemist & Earl Sweatshirt Effortlessly Create a Glistening, Immersive Soundscape on “E Coli” by Atwood Magazine Staff