April 1, 2022 April 1, 2022 Today’s Song: Lydia Clowes’ Dazzling Debut Single “Lose You” Dwells in the Vulnerability of True Intimacy by Mitch Mosk
March 31, 2022 March 31, 2022 Walter Martin’s Heartfelt “The Bear” Is an Autobiographical Song of Myth, Mystery, and Hope by Mitch Mosk
March 31, 2022 March 31, 2022 Essay: Agender’s Romy on Creating Sustainable Change within the Feminist Movement Through Solidarity & Empathy for All Women by Guest Writer
March 30, 2022 March 30, 2022 “Respect is a Well From Which Everyone Can Drink”: The Accidentals’ Sav Buist on Sexism in the Music Industry by Guest Writer
March 30, 2022 March 30, 2022 Essay: Christina Wheeler on Intersectionality in the Music Industry & Beyond by Guest Writer
March 30, 2022 March 30, 2022 “Adventures of a Super Weirdo”: LACES’ Jessica Vaughn on Being a Woman in Music by Guest Writer
March 29, 2022 March 29, 2022 Even Women in the Most Progressive Countries Are Fighting for Equality: Norway’s Live Miranda Solberg Reflects on Women’s History Month by Guest Writer
March 29, 2022 March 29, 2022 “Radical Acceptance”: Buffalo Rose’s Margot Jezerc on Youth & Womanhood by Guest Writer
March 28, 2022 March 28, 2022 Today’s Song: Sheffield’s lostboy Ditch the “Weight” in Soaring & Cinematic Anthem by Mitch Mosk
March 25, 2022 March 25, 2022 “Put Her Name in Your Mouth”: Cindy Emch on the Importance of Recognizing & Honoring Women in Music & Beyond by Guest Writer
March 25, 2022 March 25, 2022 Today’s Song: Carter Vail Soars on Sun-Soaked & Sweetly Seductive “Nancy Again” by Mitch Mosk
March 24, 2022 March 24, 2022 Today’s Song: KTJ & CARLY Tackle Entitlement in Empowering Anthem “Daddy’s Little Lawyer” by Mitch Mosk
March 24, 2022 March 24, 2022 “Too Old to Be an Ingenue, Too Young to Be an Icon”: Susan Cattaneo on the Shame Associated with Ageism in the Music Industry by Guest Writer
For the Love of Music
For the Love of Music
