January 28, 2022<January 28, 2022 Today’s Song: Fergus Finds Redemption in Our Raw Depths on Tender Reeling “Flatline” by Mitch Mosk
January 27, 2022<January 30, 2024 Today’s Song: Jelani Aryeh Offers a Coming-of-Age for All Ages with “I’ve Got Some Living to Do” by Nasim Elyasi
January 27, 2022<May 11, 2022 Artist-to-Watch Suki Waterhouse is Letting Go and Opening Up by Nicole Almeida
January 26, 2022<January 26, 2022 Artist to Watch: Shropshire’s Jessie Reid Blooms in Soft, Stirring New Single “Other Hand” by Mitch Mosk
January 25, 2022<January 25, 2022 Today’s Song: VHS Collection Deliver Ode to the Human Spirit’s Tenacity with New Single “Survive” by Beau Hayhoe
January 24, 2022<January 24, 2022 Today’s Song: Star2 Captures the Sunny Sensations of Romance with “Thinkin Bout You” by Chloe Robinson
January 21, 2022<January 21, 2022 Atwood Magazine’s Weekly Roundup: January 21, 2022 by Atwood Magazine Staff
January 21, 2022<January 21, 2022 Today’s Song: Collapsing Scenery Blur the Lines Between Psychedelic Art & Music with “You Already Know” by Beau Hayhoe
January 20, 2022<January 20, 2022 Editor’s Picks 53: Metronomy, Daisy the Great, Hembree, Yumi Zouma, Michelles, & Empath by Mitch Mosk
January 20, 2022<January 20, 2022 Today’s Song: Stephanie Poetri’s “Picture Myself” Dwells in the Longing of Long Distance by Mitch Mosk
January 20, 2022<February 1, 2022 A Casual Ramble: Albums of The Year 2021 Racket Edition by Ben Niesen
January 19, 2022<January 19, 2022 Today’s Song: Seeking Closure on Katie Tupper’s Graceful & Gutting New Single “Danny” by Mitch Mosk
January 15, 2022<January 14, 2022 Today’s Song: Daisy the Great’s Dreamy “Glitter” Sees the Beauty in Our Mess by Mitch Mosk
January 14, 2022<January 14, 2022 Today’s Song: Erika Tham Ignites on Empowering & Seductive Second Single, “Shhh” by Mitch Mosk
January 13, 2022<January 13, 2022 Today’s Song: San Fermin and The Districts Explore Emptiness with “Nothingness” by Nasim Elyasi
For the Love of Music
For the Love of Music
