September 30, 2019<September 30, 2019 Editorial: Music Induced Memories with Desmerelda’s “Tango with the Hypnotist” by Adrian Vargas
August 30, 2019<August 30, 2019 Editorial: Welcome to the New Era of Taylor Swift by Jack Mason-Brase
June 28, 2019<January 2, 2020 Honoring Pride: Gay Pop Artist Sinclair Shares Her Story by Guest Writer
April 2, 2019<April 3, 2019 In Memoriam: Remembering the Life, Spirit, and Energy of Her’s by Natalie Crane
February 8, 2019<February 26, 2019 Opinion: The Award-Worthy Visual Poetry in Sufjan Stevens’ “Mystery of Love” by Nicole Almeida
January 30, 2019<January 30, 2019 A Dumpster of Thoughts on Writing, Music, and Peace Playing “1998” on a Roof by Lindsay Call
January 16, 2019<January 15, 2019 Editorial: The Mastery of Musical Storytelling and How Music Documentaries Influence Artists’ Relevance by Maggie McHale
November 9, 2018<November 9, 2018 What It Means to Hate Your Work: Connecting Psychic Rites, Kafka, and Cobain by Atwood Magazine Staff
October 19, 2018<October 19, 2018 From ‘Lush’ to ‘Be the Cowboy’: Along for the Ride of Mitski’s Evolution by Jesse Herb
May 11, 2018<May 11, 2018 In Memoriam: Frightened Rabbit and the Disintegration of Real of Rock Music by Kelly Wynne
April 17, 2018<April 17, 2018 The Art of Manic Poetry: Hobo Johnson & The LoveMakers by James Meadows
January 25, 2018<February 1, 2018 Atwood Magazine’s 2018 Grammy Awards: An Alternative List by Atwood Magazine Staff
November 23, 2017<November 26, 2017 Atwood Magazine’s Thanksgiving 2017 Albums by Atwood Magazine Staff
For the Love of Music
For the Love of Music
