March 12, 2021 March 12, 2021 Interview: Ezinma Pushes Classical Forward Recalling Its Fiery Origins by Coco Rich
March 11, 2021 March 11, 2021 “Mesmerising, Diverse, Animated”: Estère Dives into Her Folkloric & Deeply Human 3rd LP, ‘Archetypes’ by Mitch Mosk
March 11, 2021 March 11, 2021 “Sentimental, Existential, & Vulnerable: Sydney Sprague Dives into Debut Album ‘maybe i will see you at the end of the world’ by Mitch Mosk
March 11, 2021 April 8, 2021 “The record healed us, and maybe it can heal you”: Grouplove’s ‘Healer’, One Year Later by Mitch Mosk
March 10, 2021 April 8, 2021 Editor’s Picks 47: Loviet, Baby Queen, Ysabel Bain, girlhouse, Fousheé, & Babygirl by Mitch Mosk
March 10, 2021 March 10, 2021 “Sedimentary, Nervous, & Open”: Artist-to-Watch Katy Kirby Stuns with Debut Album ‘Cool Dry Place’ by Mitch Mosk
March 10, 2021 March 9, 2021 Interview: Claire Reneé on Saying Goodbye to Unnecessary Friends & Her Lessons Learned by Chloe Robinson
March 9, 2021 March 9, 2021 “Emotional, Wild, & Honest”: Lucy Spraggan Dives into Her Soaring 6th LP ‘Choices’ by Mitch Mosk
March 9, 2021 March 10, 2021 Disney Magic, Love Songs, & ‘Haus Party 3’: A Conversation with Todrick Hall by Mitch Mosk
March 8, 2021 March 14, 2021 Magic, Nature, and Adventuring in Italy: A Conversation with Allie Crow Buckley by Francesca Rose
March 5, 2021 March 7, 2021 Interview: The Lumineers’ Jeremiah Fraites Presents His Solo Album ‘Piano Piano,’ Made from the Chicanes of Life by Ilana Kalish
March 5, 2021 March 10, 2021 Atwood Magazine’s Weekly Roundup: International Women’s Day 2021 by Staff
March 5, 2021 April 8, 2021 Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
