March 14, 2022<September 29, 2022 Interview: Shamir on Why ‘Heterosexuality’ Is His Most Vulnerable Record Yet by Sophie Prettyman-Beauchamp
March 11, 2022<March 11, 2022 Interview: Digging Deep with Avi Kaplan & Joy Williams on “All Is Well” by Emily Frances Algar
March 10, 2022<May 28, 2022 “Just Do Whatever You Want:” A Conversation with Uèle Lamore by Ben Niesen
March 10, 2022<March 11, 2022 “Transcending pain into something beautiful”: Phebe Starr Shines Raw & Radiant on Debut Album ‘Heavy Metal Flower Petal’ by Mitch Mosk
March 7, 2022<March 6, 2022 Interview: Ryan Meeking Speaks About Aussie Life, New Roots in London & New Music by Joe Beer
March 4, 2022<March 8, 2022 Third Time’s the Charm: LÉON Triumphs with Daringly Vulnerable Third Album ‘Circles’ by Coco Rich
March 1, 2022<March 1, 2022 Interview: Gang of Youths Bassist Max Dunn Talks Love, Loss & the Aussie Rockers’ Stunning New Album ‘angel in realtime.’ by Beau Hayhoe
February 25, 2022<February 25, 2022 Interview: Harry Katz and the Pistachios Open Up About Sonic Evolution & Learning to Say “Oh Yes!” by Chloe Robinson
February 24, 2022<February 23, 2022 From Rags to Riches to Wand Swishes: Riela Channels Tarot Magic Themes In New Trilogy of EPs by Josh Weiner
February 18, 2022<February 18, 2022 Feature: Joywave Wash, Rinse, and Start Fresh on New Album ‘Cleanse’ by Anthony Kozlowski
February 18, 2022<February 17, 2022 Interview: Samm Henshaw’s ‘Untidy Soul’ Is a Timeless Classic with a Modern Touch by Mitch Mosk
February 17, 2022<February 21, 2022 “Raw, Otherworldly, & Surprising”: South Africa’s BLK JKS Roar on ‘Abantu / Before Humans’, a Singular Second Album by Mitch Mosk
February 16, 2022<February 16, 2022 Interview: The Moving Stills Open Up in Glistening Debut Album ‘Sunshine Corner’ by Joe Beer
February 15, 2022<February 15, 2022 Interview: The Wombats on their Number One Album, ‘Fix Yourself, Not the World’ by Bethan Harper
February 14, 2022<February 14, 2022 Interview: Bad Suns Show Life in a New Light on Cinematic 4th Album ‘Apocalypse Whenever’ by Nasya Blackshear
For the Love of Music
For the Love of Music
