December 13, 2017<December 13, 2017 Premiere: Happy Cat Jay’s “Underpants” Undresses Celebrity Fetishism by Mitch Mosk
December 13, 2017<December 13, 2017 Premiere: Succumb to Half the Animal’s Colorful Seduction “Bad Bad Love” by Mitch Mosk
December 7, 2017<December 20, 2017 Premiere: A Deeper Love in Forest Blakk’s Moving “Where I First Found You” by Mitch Mosk
December 7, 2017<December 6, 2017 Premiere: HAWAI Come “Alive” with Electric Energy… and a Vampire! by Mitch Mosk
December 5, 2017<December 5, 2017 Premiere: Love, Synths & Bikes Embrace in Scandroid’s “Afterglow” by Mitch Mosk
December 1, 2017<December 5, 2017 Premiere: “Consciousness” Colors R E L’s Intimate Self-Awakening by Mitch Mosk
November 30, 2017<November 30, 2017 Premiere: Mannequin Infatuation in Mo Brandis’ Vibrant “Like You Love Me” by Mitch Mosk
November 29, 2017<November 29, 2017 Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love” by Mitch Mosk
November 29, 2017<November 29, 2017 Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye by Mitch Mosk
November 28, 2017<December 11, 2017 Premiere: Jordan Mackampa’s Inspiring Anthem Is a “Battlecry” to Stand Up by Mitch Mosk
November 22, 2017<November 22, 2017 Premiere: The Dark, Drunken, Bluesy Stupor of Conrad the Band’s “One More Smoke” by Mitch Mosk
November 21, 2017<November 21, 2017 Video Premiere: Thanksgiving Dinner Goes Rogue in Jared Mees’ “Echo Chamber” by Mitch Mosk
November 20, 2017<November 20, 2017 Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween” by Mitch Mosk
November 17, 2017<November 17, 2017 Video Premiere: The Rigs Assert Intimate Independence in “The Hunted” by Mitch Mosk
For the Love of Music
For the Love of Music
