December 15, 2017<January 8, 2019 Atwood Magazine’s Best Music Videos of 2017 by Atwood Magazine Staff
December 15, 2017<December 18, 2017 Today’s Song: The Agonizing, Underlying Truth in Aisha Badru’s Video for “Bridges” by Baylee Less
December 14, 2017<December 14, 2017 Premiere: Chris Zurich Finds Closure in the Fond Farewell of “Our Routine” by Mitch Mosk
December 14, 2017<December 14, 2017 Today’s Song: Sufjan Stevens Shares His Dark Fascination with a Disgraced Figure Skater in “Tonya Harding” by Carolyn Fasone
December 13, 2017<December 13, 2017 Premiere: Happy Cat Jay’s “Underpants” Undresses Celebrity Fetishism by Mitch Mosk
December 13, 2017<December 13, 2017 Premiere: Succumb to Half the Animal’s Colorful Seduction “Bad Bad Love” by Mitch Mosk
December 7, 2017<December 20, 2017 Premiere: A Deeper Love in Forest Blakk’s Moving “Where I First Found You” by Mitch Mosk
December 7, 2017<December 6, 2017 Premiere: HAWAI Come “Alive” with Electric Energy… and a Vampire! by Mitch Mosk
December 5, 2017<December 5, 2017 Premiere: Love, Synths & Bikes Embrace in Scandroid’s “Afterglow” by Mitch Mosk
December 1, 2017<December 5, 2017 Premiere: “Consciousness” Colors R E L’s Intimate Self-Awakening by Mitch Mosk
November 30, 2017<November 30, 2017 Premiere: Mannequin Infatuation in Mo Brandis’ Vibrant “Like You Love Me” by Mitch Mosk
November 29, 2017<November 29, 2017 Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love” by Mitch Mosk
November 29, 2017<November 29, 2017 Premiere: Lloyd Llewellyn’s “Run” is a Somber & Soulful Goodbye by Mitch Mosk
November 28, 2017<December 11, 2017 Premiere: Jordan Mackampa’s Inspiring Anthem Is a “Battlecry” to Stand Up by Mitch Mosk
November 22, 2017<November 22, 2017 Premiere: The Dark, Drunken, Bluesy Stupor of Conrad the Band’s “One More Smoke” by Mitch Mosk
For the Love of Music
For the Love of Music
