February 21, 2022<February 17, 2022 Today’s Song: Davey Harris’ Moody & Introspective Debut Single “Self Saboteur” by Chloe Robinson
February 18, 2022<February 17, 2022 Interview: Samm Henshaw’s ‘Untidy Soul’ Is a Timeless Classic with a Modern Touch by Mitch Mosk
February 16, 2022<February 16, 2022 Coventry’s The Last Broadcast Debut with Stirring “Daisy,” a Beautifully Vulnerable Song of Trauma, Forgiveness, & Hope by Mitch Mosk
February 16, 2022<February 16, 2022 Interview: The Moving Stills Open Up in Glistening Debut Album ‘Sunshine Corner’ by Joe Beer
February 9, 2022<February 9, 2022 “It’s about friendship”: Melbourne’s Partner Look Debut with Warm, Fun, & Quirky Off-Kilter Pop Album, ‘By the Book’ by Mitch Mosk
January 25, 2022<January 24, 2022 “Nebulous, Haven, Healing”: Glass Echoes Stun with Fragile & Cinematic Debut Album ‘Breathe’ by Mitch Mosk
January 21, 2022<August 12, 2022 Exploring Our Primal Selves: TRISHES Dives into Her “Raw, Vivid, & Emotional” Debut Album ‘The Id’ by Mitch Mosk
January 19, 2022<August 15, 2022 “Funk, Feeling, Future”: Joel Culpepper on His Soulful & Triumphant Debut ‘Sgt Culpepper’ by Mitch Mosk
January 14, 2022<January 14, 2022 “Scared of Love”: Inside Linying’s Beautifully Intimate & Therapeutic Debut ‘There Could Be Wreckage Here’ by Mitch Mosk
December 14, 2021<December 14, 2021 “Contemplative, Eclectic, & Cerulean”: Inside Mackin Carroll’s Debut Album ‘Learning How to Swim’ by Mitch Mosk
December 10, 2021<December 10, 2021 Fort Collins Sister Duo Companion Debut with Warm, Intimate & Ethereal “How Could I Have Known” by Mitch Mosk
December 10, 2021<December 9, 2021 Respectful Emotional Spelunking: Inside American Sigh’s Coming-of-Age Debut Album ‘Honor System’ by Mitch Mosk
December 9, 2021<December 10, 2021 Finding Beauty in ‘Everything Ugly’: Inside Mumble Tide’s “Scrappy, Honest, & Frustrated” Mini-Album by Mitch Mosk
December 8, 2021<February 26, 2022 “Dream-Rock, Baby”: Brooklyn’s Ok Cowgirl Put Feelings First on Stunning Debut EP ‘Not My First Rodeo’ by Mitch Mosk
December 8, 2021<December 8, 2021 “Bittersweet, Pre-Dystopian, Longing”: Inside Leo Sawikin’s Dramatic Solo Debut, ‘Row Me Away’ by Mitch Mosk
For the Love of Music
For the Love of Music
