August 21, 2019<August 16, 2024 Salt, Fire, and Womanhood: An Interview with Angie McMahon by Mitch Mosk
August 21, 2019<August 21, 2019 Premiere: The Lost Hours’ Bittersweet Cocktail of Emotions, “Lonely Love” by Mitch Mosk
7.1 August 19, 2019<December 15, 2020 Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man by Josh Weiner
August 19, 2019<August 19, 2019 Premiere: Sam DeRosa Spreads Her Wings with Intimate “Baby I Know” by Mitch Mosk
August 15, 2019<August 15, 2019 Premiere: PARACHUTER’s “Trouble Talking” Is an Upbeat Portal into Another World by Frankie Rose
9 August 15, 2019<December 15, 2020 Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’ by Mitch Mosk
August 13, 2019<August 13, 2019 Sonny Santos’ Beautiful Debut Album ‘Hotel de Londres’ Aches of a Tortured Soul by Mitch Mosk
8.1 August 13, 2019<December 15, 2020 Our Take: Necking’s ‘Cut Your Teeth’ is Pure Blunt Bombast by Danny Vagnoni
August 12, 2019<January 12, 2023 Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates by Ilana Kalish
August 9, 2019<August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
August 8, 2019<August 8, 2019 Chart Hit Analysis: The Enduring Fascination with Lil Nas X’s “Old Town Road” by Frankie Rose
August 6, 2019<August 6, 2019 Premiere: Half Wolf’s “Pretty Lonely” Marks an Impassioned & Ethereal Debut into the Music Scene by Adrian Vargas
August 2, 2019<August 2, 2019 Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’ by Harper Beattie
July 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
For the Love of Music
For the Love of Music
