October 3, 2019<October 3, 2019 Nicotine Dolls’ Feverish “The Madness” Is an Alt-Rock Dream by Mitch Mosk
October 2, 2019<December 5, 2019 Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut by Mitch Mosk
October 1, 2019<October 1, 2019 Premiere: London’s Campsie Debuts with Intimate Indie Pop Upheaval “I’m Gone” by Mitch Mosk
September 26, 2019<September 26, 2019 Feature: Meet Cuntrie and Her Achingly Intimate Debut Single “The Singer” by Mitch Mosk
September 23, 2019<September 20, 2019 Review: The Anti-Queens’ Long Road to a Self-Titled Debut Was Worth Every Mile by Oliver Crook
September 19, 2019<September 19, 2019 Review: Djo’s Hypnotic, Confident Debut ‘Twenty Twenty’ by Mariel Fechik
September 19, 2019<September 19, 2019 Album Premiere: Louien Transforms Grief into Beauty on Soul-Stirring Debut ‘None of My Words’ by Mitch Mosk
September 18, 2019<September 18, 2019 Album Premiere: Jamie Drake Embraces Every Inch of Life in Dazzling Debut ‘Everything’s Fine’ by Mitch Mosk
September 13, 2019<October 16, 2019 Feature: Wrabel Unveils the Magic in Debut EP ‘one of those happy people’ by Mitch Mosk
September 13, 2019<November 13, 2019 Interview: Pom Pom Squad Unveil the Depression & Raw Depth of EP ‘Ow’ by Mitch Mosk
September 13, 2019<September 13, 2019 Premiere: Emilia Tarrant Covers NF’s “If You Want Love” with Poignant Perfection by Mitch Mosk
September 11, 2019<September 11, 2019 Premiere: Sydney’s Kyva Debuts with Unifying Song “Wide World” by Mitch Mosk
September 9, 2019<April 16, 2020 Interview: Artist-to-Watch Zola Courtney Has “Nothing to Lose” in Her Stunning Debut by Mitch Mosk
September 6, 2019<September 6, 2019 Premiere: The Last Morrell Lets Go in Cathartic Debut “Fine Now” by Mitch Mosk
September 5, 2019<September 5, 2019 Intimacy, Discovery, and Being ‘Together’: An Interview with Wolfjay by Mitch Mosk
For the Love of Music
For the Love of Music
