August 29, 2023<August 30, 2023 “I’m confident that I’m insecure”: Lawrence Are More Fun, Quirky, & Vulnerable Than Ever by Mitch Mosk
August 29, 2023<August 29, 2023 Interview: GRAYtheband Opens Up About Existential Feelings in “‘Bit Late” (ft. K-Riz) by Joe Beer
August 29, 2023<August 29, 2023 Premiere: Mick Flannery Explores the Arc of Life on “Young,” a Visceral & Radiant Reckoning by Mitch Mosk
August 29, 2023<August 29, 2023 Premiere: Beharie’s Soul-Stirring “We Never Knew” Is a Passionate Postmortem on Lost Love by Mitch Mosk
August 29, 2023<August 29, 2023 Nostalgia Tracks: Reconnecting With Taylor Swift’s ‘Speak Now,’ 13 Years Later by Lauren Turner
August 28, 2023<August 28, 2023 EP Premiere: The Gentle Warmth & Wonder of Isaac Watters’ ‘Extended Play 002’ by Mitch Mosk
August 28, 2023<August 28, 2023 Premiere: Ester’s “Seed, Sun, Soil” Is an Aching, Enchanting, & Tender Lament by Mitch Mosk
August 28, 2023<September 5, 2023 Interview: grentperez Talks Upcoming Tour, Filipino-Australian Roots, and the “E” in His Name by Freya Rinaldi
August 28, 2023<August 28, 2023 “A testament to longevity and sustainability”: PVRIS Explores Artistry, Identity, & Life in the Digital Age on ‘EVERGREEN’ by Isabella Le
August 28, 2023<August 28, 2023 Today’s Song: Ella Collier Cautions Us to the Dangers of Being Controlled by Emotion in “Second Arrow” by Chloe Robinson
August 26, 2023<July 8, 2024 Charli XCX Curates Cool High School Vibes With ‘Bottoms’ Movie Soundtrack by Julia Dzurillay
August 26, 2023<August 26, 2023 Today’s Song: The National Grapple with the Past on Standout Single “Space Invader” by Beau Hayhoe
August 25, 2023<September 1, 2023 Interview: Quinn XCII Speaks Candidly on Life, the People, & the Experiences That Have Shaped His Artistry Over The Years by Nick Polak
August 25, 2023<August 25, 2023 Today’s Song: The Wide-Eyed Wonder of Emma Gatrill’s “Adonis Blue” by Mitch Mosk
August 25, 2023<August 25, 2023 Atwood Magazine’s Weekly Roundup: August 25, 2023 by Atwood Magazine Staff