July 5, 2022<July 5, 2022 A Casual Ramble: Summer, the California Sound, and French Cassettes’ ‘Rolodex’ by Ben Niesen
July 5, 2022<July 8, 2022 “Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond by Guest Writer
July 5, 2022<July 4, 2022 Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill” by Joe Beer
July 4, 2022<July 2, 2022 Piano, Philosophy, & Penmanship: A Conversation with French Artist Superpoze by Josh Weiner
July 1, 2022<July 1, 2022 Carla Morrison Across Borders: A Review of ‘El Renacimiento’ by David Buyze
July 1, 2022<July 1, 2022 ‘Blood Moon’: RY X Dwells in Raw Depths on His Honest, Expansive, & Hauntingly Beautiful Third Album by Mitch Mosk
July 1, 2022<July 1, 2022 Atwood Magazine’s Weekly Roundup: Songs of Protest & Empowerment by Atwood Magazine Staff
July 1, 2022<June 30, 2022 Today’s Song: Sweet Soul & Gentle Grooves in Thee Sacred Souls’ Newest Single, “Easier Said Than Done” by Lauren Hicks
June 30, 2022<September 29, 2022 ‘Adjustments’: Noah Reid Opens Up About His Intimate, Epic, & Stirring Third Album by Mitch Mosk
June 30, 2022<June 30, 2022 “Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut by Mitch Mosk
June 30, 2022<June 30, 2022 “QUEER CORE”: A Pride Month Essay by Agender’s Romy Hoffman by Guest Writer
June 30, 2022<June 30, 2022 Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe” by Jamie Kahn
June 29, 2022<April 30, 2023 Podcast: Tunes & Tumblers Features Max Frost and a Flying Machine by Atwood Magazine Staff
June 29, 2022<September 29, 2022 Editor’s Picks 69: James Bay, Ashe, Djo, Lissy Taylor, Braxton Cook, & MYTBE! by Mitch Mosk
For the Love of Music
For the Love of Music
