September 28, 2020<September 27, 2020 Premiere: Navvy Revels in Exuberant Delight on “Somebody Else” Video by Luke Pettican
September 25, 2020<October 6, 2020 Atwood Magazine’s Weekly Roundup: September 25, 2020 by Atwood Magazine Staff
September 25, 2020<September 25, 2020 Nicolas Michaux’s ‘Amour Colère’ Is a Summing Up of Life in All Its Varied Ways by Francesca Rose
September 25, 2020<September 30, 2020 Today’s Song: Georgia & The Vintage Youth Anticipate the Future Through Genres of the Past on “Overthinker” by Erica Danielle Garcia
September 25, 2020<September 29, 2021 Historic Moments & Grand Beginnings: A Conversation with Silvana Estrada by Adrian Vargas
September 25, 2020<September 25, 2020 Sun-Drenched, Groovy, & Lush: Melbourne’s Shannen James Strikes Hot with Debut ‘Arrows’ EP by Mitch Mosk
September 25, 2020<September 25, 2020 Interview: Norwich, England’s The Islas Rise & Shine with an Indie Rock Flame by Mitch Mosk
September 25, 2020<February 19, 2021 Track-by-Track: Joy Denalane’s Effusive & Energetic Album ‘Let Yourself Be Loved’ by Mariel Fechik
September 24, 2020<September 24, 2020 This Just In: Soda Blonde’s Intimate New Song “Love Me World” Is an Irresistible Indulgence by Mitch Mosk
September 24, 2020<September 24, 2020 Premiere: Izzy Heltai’s “Father” Is a Gentle, Cerebral Reminder About the Facts of Life by Jesse Herb
September 24, 2020<September 23, 2020 Premiere: Fly By Midnight Jolt Us Awake with a Heavy Dose of “Caffeine” ft. Shoffy by Mitch Mosk
September 24, 2020<October 6, 2020 Editor’s Picks: COIN, McCall, Ayoni, Eve Owen, Fergus, & Close Talker! by Mitch Mosk
September 24, 2020<September 23, 2020 Feature: Pillow Queens Challenge Themselves & Their City on ‘In Waiting’ by Oliver Crook
September 24, 2020<September 24, 2020 Premiere: Toronto’s Delaney Jane Lets ‘Em Down Easy in Aching “On Paper” by Mitch Mosk
September 24, 2020<October 6, 2020 Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’ by Mitch Mosk