August 20, 2021<August 20, 2021 ‘Deep States,’ Hive Minds and End Times: A Conversation with Tropical Fuck Storm by Sophie Prettyman-Beauchamp
August 20, 2021<June 23, 2022 Atwood Magazine’s Weekly Roundup: August 20, 2021 by Atwood Magazine Staff
August 20, 2021<August 20, 2021 “Moody, Thoughtful, & Honest”: Inside Andrew Belle’s Intimate & Ethereal 4th LP ‘Nightshade’ by Mitch Mosk
August 20, 2021<August 20, 2021 Interview: Andrew Cushin Reveals Plans for Electric Guitar-Driven Debut EP by Bethan Harper
August 20, 2021<August 20, 2021 Today’s Song: Myles Lloyd Pours His Heart Out in the Raw R&B Track “Counting Days” by Joe Beer
August 19, 2021<August 19, 2021 Today’s Song: WANDERERS’ Sweet, Irresistible “Penny” Channels Sunshine & Seduction by Mitch Mosk
August 19, 2021<March 2, 2025 “Technicolor Fantasy Pop”: The Depths of Jordan Lehning’s Cinematic 4th LP ‘Three Colored Wall’ by Mitch Mosk
August 19, 2021<August 19, 2021 “Total Existential Dread”: Cape Weather Shine a Loving Light in ‘HUNNY Vol. 1’ EP by Mitch Mosk
August 19, 2021<August 19, 2021 Premiere: Kate Dinsmore’s Cathartic New EP ‘Version of Me’ by Mariel Fechik
August 18, 2021<March 2, 2025 Reflection & Rediscovery: Eliza Shaddad Dives into Her Stirring Sophomore LP ‘The Woman You Want’ by Mitch Mosk
August 18, 2021<August 18, 2021 Today’s Song: Faae’s “marsupial” Explores Loss with Poignant, Reflective & Tender Folk by Mitch Mosk
August 18, 2021<August 18, 2021 “A collection of introvert anthems”: Boston’s Little Fuss Premiere Their Debut EP ‘Hazy’ by Mitch Mosk
August 18, 2021<August 18, 2021 Premiere: Cincinnati’s ZOO Explores Our Irreconcilable Divisions in “Sleeping Dogs” by Mitch Mosk
August 18, 2021<August 18, 2021 Interview: Los Angeles’ Danelle Sandoval on Not Being Defined by Others & New Single “Go” by Chloe Robinson
August 17, 2021<August 18, 2021 “It’s those fleeting moments of transcendence”: Inside The Steoples’ Smoldering & Soulful LP ‘Wide Through The Eyes Of No One’ by Mitch Mosk
For the Love of Music
For the Love of Music
