July 9, 2020<July 8, 2020 The Ache of Isolation: Brian Dunne’s Haunting “Nitehawk” ft. Lily & Madeleine by Mitch Mosk
July 9, 2020<July 9, 2020 Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest by Mitch Mosk
July 9, 2020<July 8, 2020 Premiere: Jolé’s Tranquil “Alpine Green” Evokes the Beauty & Weight of Memory by Mitch Mosk
July 8, 2020<July 8, 2020 Review: ‘Nightwhisper’ Is a Solo Comeback to Admire for Veteran Electronica Star Jody Wisternoff by Josh Weiner
July 8, 2020<July 8, 2020 Premiere: Seattle’s ALITA Exudes Intimacy, Femininity, and Sensuality in Liberating “Bodies” by Ben Beamish
July 8, 2020<July 8, 2020 Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP by Mitch Mosk
8.5 July 8, 2020<December 15, 2020 Our Take: HAIM Find Solace in LA & Each Other on ‘Women in Music Pt. III’ by Guest Writer
July 8, 2020<July 7, 2020 Premiere: The Savants of Soul Dwell in a Hearty Blues on “More Than One to Choose From” by Mitch Mosk
July 8, 2020<July 8, 2020 Premiere: VEAUX Explore Love, Belonging, & Black Identity in “Tell Me That You Love Me” by Mitch Mosk
July 8, 2020<July 8, 2020 Today’s Song: Madame So Takes the Generational Torch on “Generation Y” by Oliver Crook
July 8, 2020<July 8, 2020 Premiere: Jamie Scott’s Stunning “New York Nights” Is a Carefree Soundtrack to Love & Life by Mitch Mosk
July 7, 2020<July 7, 2020 Interview: Pia Mia Talks “Princess” and Perfecting Her Passions by Lexi Lane
July 7, 2020<July 7, 2020 Roundtable Discussion: A Review of Lady Gaga’s ‘Chromatica’ by Atwood Magazine Staff
July 7, 2020<July 6, 2020 Today’s Song: SuperKnova Blends Sorrow and Catchiness on “LSD Heartbreak” by Nick Matthopoulos
July 7, 2020<July 6, 2020 Interview with Maisie Peters: Sensational Songwriting, Book Clubs, Live Shows, & Lockdown by Luke Pettican