September 20, 2021<September 20, 2021 Today’s Song: Kaley Rutledge’s Tranquil, Warm, & Wondrous “Corduroy Coat” by Mitch Mosk
September 20, 2021<September 20, 2021 Sibling Effervescence and Originality: A Conversation with Caroline & Claude by Nicole Almeida
September 20, 2021<October 27, 2021 A Way to Harmonize: Becca Stevens & The Secret Trio on Fate and Expanding Tradition by Mariel Fechik
September 17, 2021<September 17, 2021 Atwood Magazine’s Weekly Roundup: September 17, 2021 by Atwood Magazine Staff
September 17, 2021<September 17, 2021 “Friendship, Empathy, & Youth”: carwash’s Radiant Debut EP ‘soap water’ Captures the Wonder of Connection & Intimacy by Mitch Mosk
September 17, 2021<October 5, 2021 A Beautiful Inner Reckoning: Noah Kahan’s Stirring ‘I Was / I Am’ Plunges into the Deepest Depths of Self by Mitch Mosk
September 16, 2021<September 29, 2022 Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’ by Kosiso Ugwueze
September 16, 2021<September 16, 2021 Artist to Watch: Timothy Edward Carpenter’s Debut EP ‘the boy from ohio’ Is an Intimate & Beautifully Raw Upheaval by Mitch Mosk
September 16, 2021<September 16, 2021 “Dark, Light, & Bloomy”: Art School Girlfriend’s Debut Album ‘Is It Light Where You Are’ and the Breathtaking Weight of Loss by Mitch Mosk
September 16, 2021<March 2, 2025 Album Review: Tyler, The Creator Opens Up His World & Reflects on Lost Love in ‘CALL ME IF YOU GET LOST’ by Adam Davidson
9.4 September 16, 2021<September 16, 2021 ‘What It Means to Be Human’: Hayden Calnin Dives into the Beautiful Depths of His Cinematic & Stunning Third LP by Mitch Mosk
September 16, 2021<November 10, 2021 (Y)Our Guide to Treefort Music Fest 2021! by Atwood Magazine Staff
September 15, 2021<September 15, 2021 Premiere: Young Rising Sons Revel in Past Highs on Nostalgic Anthem “Good Days” by Mitch Mosk
September 15, 2021<September 15, 2021 Premiere: Haley Johnsen Returns with Intimate & Enchanting “Goner,” a Song of Loss, Longing, & Hope by Mitch Mosk