December 18, 2019<December 18, 2019 Review: Nina Kraviz’s ‘MASSEDUCTION Rewired’ Is a Splintered, Over-Saturated Translation by Guest Writer
December 18, 2019<December 17, 2019 Today’s Song: Matt Mays Looks for Hope Amongst the Wreckage on “Let There Be Love” by Oliver Crook
December 17, 2019<December 17, 2019 Today’s Song: On “Said That You’d Be There,” Love You Later Makes the Most of Past Misfortunes by Josh Weiner
December 16, 2019<December 16, 2019 Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’ by Mitch Mosk
December 16, 2019<December 13, 2019 Today’s Song: A Mellifluous Telling of Growth on Jennah Barry’s “Pink Grey Blue” by Adrian Vargas
December 13, 2019<December 13, 2019 This Just In: Halsey Displays Duality in New Songs “Finally // beautiful stranger” and “SUGA’s Interlude” by Lexi Lane
December 13, 2019<December 10, 2019 Today’s Song: Run Away with Zoe Konez’s & Antonio Lulic’s “Echo” by Ben Beamish
December 12, 2019<December 12, 2019 Interview: aVIE Provides a Unique Flair to Hip-Hop Inspired Samples with New EP ‘The Escapade’ by Adrian Vargas
December 12, 2019<December 12, 2019 This Just In: talker Shatters Her Anxiety by “Learning the Feeling” by Anthony Kozlowski
December 12, 2019<December 12, 2019 Premiere: Jimmy Harvey’s Wistful “I Don’t Mind the Rain” Splashes Through Home Movie Ennui by Anthony Kozlowski
December 12, 2019<December 12, 2019 Premiere: Francine Thirteen’s Ritualistic, Haunting “Psalm of Semiramis” by Mariel Fechik
December 12, 2019<December 10, 2019 Today’s Song: Rhys Lewis Beautifully Bewitches with “Be Your Man” by Luke Pettican
December 11, 2019<December 11, 2019 Review: Bear’s Den Evoke Winter’s Warmth in ‘Only Son of the Falling Snow’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
