August 3, 2020<August 3, 2020 Premiere: The Weird Years’ “Lifevest” Is a Haunting & Timely Confrontation with Failing Authority by Mitch Mosk
August 3, 2020<August 3, 2020 Feature: The Palpitations Offer the World Its Anthem With Latest EP ‘FEED THE POOR! EAT THE RICH!’ by Oliver Crook
August 3, 2020<August 3, 2020 This Just In: Billie Eilish Leads Us to Self-Love with Intimate Single “my future” by Coco Rich
August 3, 2020<August 3, 2020 Today’s Song: Saved by Friday Break Their Four-Year Dry Spell With Uplifting Single “A Love Song” by Josh Weiner
August 1, 2020<August 1, 2020 Today’s Song: The Multi-Instrumentalist Magic of Luna Li’s “Afterglow” by Frankie Rose
July 31, 2020<August 11, 2020 All The Other Ways a Heart Can Break: A Conversation with Dizzy by Nicole Almeida
July 31, 2020<July 31, 2020 More Road Than Man: Roderick August’s All-American Debut Album ‘Forever the Far the Closer the Near’ by Mitch Mosk
8 July 31, 2020<December 15, 2020 Our Take: Ganser Are in Good Form on Sophomore Album ‘Just Look At That Sky’ by Nick Matthopoulos
July 31, 2020<December 14, 2023 Today’s Song: Intimate Ruminations on Half Wolf’s “Birthday Sex” by Adrian Vargas
July 31, 2020<August 23, 2020 Atwood Magazine’s Weekly Roundup: July 31, 2020 by Atwood Magazine Staff
July 31, 2020<July 31, 2020 In Retrospect & Moving Forward: A Conversation with Mali-Koa by Erica Danielle Garcia
July 31, 2020<July 30, 2020 Premiere: Shai Brides Are Making Synth-Pop Waves on New Single “Honeydew” by Bethan Harper
July 30, 2020<July 30, 2020 Interview: Raven Artson Sends His Solo Career Soaring Off in L.A. with EP ‘notice me’ by Josh Weiner
For the Love of Music
For the Love of Music
