January 21, 2019<January 21, 2019 Premiere: Embracing Heartache in The Proud Sons’ Radiant “Company” by Mitch Mosk
January 21, 2019<January 21, 2019 Today’s Song: Rhys Lewis’ “Better Than Today” Finds Reassurance in the Whirlwind of Life by Luke Pettican
January 18, 2019<January 18, 2019 Atwood Magazine’s Weekly Roundup: January 18, 2019 by Atwood Magazine Staff
January 18, 2019<January 18, 2019 Video Premiere: Natalie Shay Ascends with Stunning Pop Anthem “Yesterday” by Mitch Mosk
January 18, 2019<January 18, 2019 Premiere: The Blue Winter’s Beautifully Vulnerable Folk Song “Up on the Stage” by Mitch Mosk
January 18, 2019<April 16, 2020 Alternative Dream-Pop & Greek Mythology Collide in Sarah P.’s Evocative ‘Maenads’ EP by Ben Beamish
January 18, 2019<January 18, 2019 Interview: Lauren Aquilina’s Killer Instinct Ignites with “If Looks Could Kill” by Coco Rich
January 18, 2019<January 29, 2019 Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review by Frankie Rose
January 18, 2019<January 17, 2019 Today’s Song: Sam Wilde Finds Solace in Bewilderment with “On the Run” by Luke Pettican
January 17, 2019<January 30, 2019 ‘MINT’, Melody, and Meaning: An Interview with Alice Merton by Mitch Mosk
January 17, 2019<January 17, 2019 Premiere: Funeral Advantage’s Stirring “Black House,” an Indie Pop Confession by Mitch Mosk
January 17, 2019<January 17, 2019 Heartache Never Felt So Good: Kyan Palmer & nicopop.’s “Unofficial Lover” ft. Yung Lamby by Mitch Mosk
January 17, 2019<January 16, 2019 Premiere: Patrick Damphier’s Confessional Protest “Odd Man Out” ft. Molly Parden by Mitch Mosk
January 17, 2019<January 17, 2019 From Lolita to Sylvia Plath, Lana Del Rey Reinvents Herself in “Hope Is a Dangerous Thing…” by Ditta Demeter
January 17, 2019<January 21, 2019 Finding Strength in Vulnerability: A Conversation with GRAACE by Luke Pettican
For the Love of Music
For the Love of Music
