April 20, 2018<April 20, 2018 Atwood Magazine’s Weekly Roundup: April 20, 2018 by Atwood Magazine Staff
April 20, 2018<April 20, 2018 Our Take: Lord Huron’s Mystic ‘Vide Noir’ Dwells in Darkness & Cosmic Dreams by Mitch Mosk
April 20, 2018<June 1, 2018 Interview with Post Animal: Castles, Ghosts, and the Joy of the Moment by Mariel Fechik
April 20, 2018<April 20, 2018 Today’s Song: Underwater Boys Juggle Love, Pain, and Expectations in “Apricot” by Nicole Almeida
April 20, 2018<April 20, 2018 Review: The Longshot is Forward-Facing Nostalgia for Billie Joe Armstrong by James Crowley
April 20, 2018<April 20, 2018 Album Premiere: Take ‘The Trip’ with Lovecoast and Bask in a Soulful Heat by Josh Weiner
April 19, 2018<April 19, 2018 Premiere: Finding Strength in Gabriella Vixen’s Aching & Assertive “Maybe” by Mitch Mosk
April 19, 2018<April 19, 2018 Interview with Sunflower Bean: On the Human Experience and Reacting to Energy by Alexandra Graber
April 19, 2018<April 19, 2018 Premiere: Kirsten Collins’ Dazzling “Rainbows” Basks in Hazy Pop Reverie by Mitch Mosk
April 19, 2018<April 26, 2018 Premiere: McAllister’s Intimate “Confidence in Sadness” Lights a Spark in the Dark by Mitch Mosk
April 19, 2018<April 19, 2018 Today’s Song: Layers of Feeling and Introspection in IAMX’s “Alive in New Light” by Urooj Ali Rizvi
April 18, 2018<April 18, 2018 Premiere: Restless Modern’s Soul-Stirring “Doubt” Aches with Dreams & Fears by Mitch Mosk
April 18, 2018<April 18, 2018 The Aces’ When My Heart Felt Volcanic: An Explosive Track-by-Track Review by Baylee Less
April 18, 2018<April 18, 2018 Premiere: The Sultry Sorrow of Shana Halligan’s Seductive “Hurricane” by Mitch Mosk
April 18, 2018<May 17, 2018 Our Take: Embarking on Forbidden Late-Night Escapades with Onra’s ‘Nobody Has to Know’ by Adrian Vargas