November 13, 2018<November 13, 2018 Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’ by Mitch Mosk
November 12, 2018<November 12, 2018 Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album by Lindsay Call
November 9, 2018<October 16, 2024 This Just In: Deanna Petcoff Dives Into Her Energizing, Dynamic “Stress” by Mitch Mosk
November 9, 2018<November 9, 2018 What It Means to Hate Your Work: Connecting Psychic Rites, Kafka, and Cobain by Atwood Magazine Staff
November 9, 2018<July 12, 2022 Interview: How The Wombats Stayed True to Themselves, Four Studio Albums Later by Abby Jones
November 9, 2018<November 9, 2018 Interview: From Daydreams to Earthtones, Bahamas Bares All by Sara Santora
November 8, 2018<November 8, 2018 Album Premiere: Timber Debut ‘The Family’ with an Enchanting Ambient Allure by Mitch Mosk
November 8, 2018<August 5, 2021 Today’s Song: Earl Sweatshirt Returns with Avant-Rap Single “Nowhere2go” by Atwood Magazine Staff
7.9 November 8, 2018<October 16, 2024 Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’ by Josh Weiner
November 8, 2018<November 9, 2018 Premiere: spill tab Make Their Enchanting Debut with “When U Call” by Maggie McHale
November 7, 2018<November 8, 2018 Premiere: Falling Hard for RKCB’s Sexistential Lament “Know Love” by Mitch Mosk
November 7, 2018<November 29, 2018 This Just In: Sleek and Stylized, Foxwarren’s “Everything Apart” Is a Versatile and Engaging Debut Single by Adrian Vargas
November 6, 2018<November 6, 2018 Premiere: The Raw, Tender Beauty of Gabriella Rose’s Debut “Lost in Translation” by Mitch Mosk
November 2, 2018<November 2, 2018 Interview with Lemaitre: An Atypical Electronic Duo by Luke Pettican
November 1, 2018<November 1, 2018 Album Premiere: Embarking on a New Adventure with oh800’s debut ‘Character Building’ by Audrey Steeves
For the Love of Music
For the Love of Music
