April 6, 2018<April 12, 2018 Atwood Magazine’s Weekly Roundup: April 06, 2018 by Atwood Magazine Staff
April 6, 2018<April 6, 2018 Premiere: TIME’S UP for Predators in Dana and the Wolf’s “Modern Midas” by Mitch Mosk
April 6, 2018<April 6, 2018 Highlighting the Sweetest Moments in Vance Joy’s ‘Nation of Two’ by Mitch Mosk
April 6, 2018<April 6, 2018 Premiere: Jenny March’s Carefree “Talk to Me” Captures Everything Pop with a Twist by Monica Mellon
April 6, 2018<April 6, 2018 Today’s Song: Shlomo Franklin Enthralls with Endless Devotion on “Don’t Love Anybody” by Luke Pettican
April 5, 2018<April 5, 2018 Album Premiere: Rich Girls’ Debut ‘Black City’ Is an Unforgiving Defiance by Mitch Mosk
April 5, 2018<April 5, 2018 Today’s Song: Buzzy Lee Exposes Her Insecurities in “Coolhand” by Shayna Chabrow
April 5, 2018<April 5, 2018 Desire Tangled with Uncertainty: A Track-by-Track Review of Andy Shauf’s “The Party” by Adrian Vargas
April 5, 2018<April 5, 2018 Premiere: Society of Broken Souls’ “Pretty” Is a Dark, Beautiful Commentary by Mitch Mosk
April 5, 2018<July 10, 2019 Premiere: Inspired & The Sleep Are Raw and Vulnerable in “First Time” by Baylee Less
April 5, 2018<April 5, 2018 Premiere: The Loving Embrace of Luke Burr’s Fiery “Lights On” by Mitch Mosk
April 4, 2018<April 5, 2018 Video Premiere: Human Fragility Shines in Jim and Sam’s “Doctor Please” by Mitch Mosk
April 4, 2018<April 4, 2018 Premiere: Sophia Scott’s “Quit” Is an Anthem for Jealous Lovers by Mitch Mosk
April 4, 2018<April 4, 2018 EP Premiere: The Duskwhales Confront Cancer in Beautiful ‘Hospital Dreams’ by Mitch Mosk
April 4, 2018<April 4, 2018 The Way They Think and Feel and See: A Conversation with Our Girl by Nicole Almeida
For the Love of Music
For the Love of Music
