March 20, 2017<April 1, 2017 Premiere: The War on Peace Face Broken Dreams and Suffering on “Fear of Loss” by Mitch Mosk
March 20, 2017<March 22, 2017 Atwood @ SXSW: Day 3 ft. The Shelters, Hippo Campus, Bleached, and PWR BTTM by Erika Kooda
March 17, 2017<May 15, 2017 Review: New Politics’ “One of Us” is the Inclusive Anthem 2017 Needs by Mitch Mosk
March 17, 2017<March 17, 2017 Album Premiere: ROBES’ ‘Indecline’ Ascends with Heavy Hits & Insights by Mitch Mosk
March 17, 2017<March 17, 2017 Today’s Song: Jamie Cullum Breathes New Life into Ed Sheeran’s “Shape of You” by Carmen Chan
March 16, 2017<March 22, 2017 Atwood @ SXSW: Day 2 ft. Split Single, Communist Daughter, and Hurray for the Riff Raff by Erika Kooda
March 16, 2017<March 16, 2017 Album Premiere: Float Away on North Atlantic Drift’s ‘Departures Vol. 1’ by Mitch Mosk
March 16, 2017<March 16, 2017 Time Machine: On Billy Joel’s “Piano Man” and Lost Dreams by Erika Kooda
March 16, 2017<March 16, 2017 Today’s Song: Astrid S Loses Oxygen in “Breathe,” an Airy Love Anthem by Kevin Young
March 15, 2017<March 22, 2017 Atwood @ SXSW: Day 1 ft. Har Mar Superstar, Unwed Fathers and City Under Siege by Erika Kooda
March 15, 2017<March 15, 2017 Finding the Perfect Rhythm: A Conversation with The Vryll Society by Lindsay Call
March 15, 2017<March 15, 2017 Today’s Song: “By Your Side” Marks a Gentle Return for The 1975 by Sydney Sweeney
March 13, 2017<March 13, 2017 Premiere: Br’er’s “Help Me Live” Commits to Life in the Face of Death by Mitch Mosk
For the Love of Music
For the Love of Music
