November 23, 2020<November 23, 2020 Premiere: Burs Mull Over the Difference Between Hearing & Being Heard on “Is This Thing On” by Nick Matthopoulos
November 20, 2020<November 20, 2020 Premiere: Artemis Orion’s Dark, Dreamy & Escapist Debut EP ‘Honey’ by Emily Frances Algar
November 19, 2020<November 19, 2020 Artist to Watch: Sweden’s lodet Rises & Shines in Effervescent New Single, “Chasing Circles” by Mitch Mosk
November 19, 2020<November 19, 2020 Premiere: Total Brutal Gives Us the Hope We Need with Third Single “Egypt” by Dimitra Gurduiala
November 19, 2020<November 19, 2020 Artist to Watch: Psymon Spine Release a Fresh Psychedelic Immersion in “Confusion” off 2nd LP ‘Charismatic Megafauna’ by Mitch Mosk
November 19, 2020<May 3, 2023 Premiere: Firewoodisland’s “Soon” Offers Relief for Anyone Missing Someone by Madison Vettorino
November 18, 2020<November 18, 2020 Premiere: Silky Roads “Pomegranate” Channels the Lush Darkness of Tarantino Films by Ethan James
November 18, 2020<November 18, 2020 Premiere: Falling for Aussie Duo MINIQ’s Seductive, Smoldering “Space Cowboy” by Mitch Mosk
November 17, 2020<November 17, 2020 Premiere: Processing Painful Emotions with Elizabeth Moen’s Delicate Folk Song, “It’ll Get Tired Too” by Mitch Mosk
November 17, 2020<November 17, 2020 Premiere: Mink’s Miracle Medicine’s “Beautiful Losers” Is an Entrancing Americana Ode by Mitch Mosk
November 16, 2020<November 17, 2020 Premiere: Shacks & Palaces’ “God Made You Strange” Is an Anthem of Acceptance, Self-Love, & Ownership by Mitch Mosk
November 16, 2020<November 16, 2020 Premiere: Driving Down Memory Lane with Alex Little & The Suspicious Minds’ “Across the City” by Mitch Mosk
November 16, 2020<November 17, 2020 Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut by Mitch Mosk
November 13, 2020<November 13, 2020 Video Premiere: The Dawdler’s “Sign of Growth” Is an Enrapturing Ode to a Lost Soul by Adrian Vargas
November 12, 2020<November 12, 2020 Premiere: Dublin’s Magazines Release an Existential Dream Pop Reckoning in “Pink and Blue” by Mitch Mosk
For the Love of Music
For the Love of Music
