April 11, 2019<April 11, 2019 Premiere: Welcoming Change with Elliah Heifetz’s Majestic “I’m Over Now” by Mitch Mosk
April 10, 2019<April 10, 2019 Premiere: Hayley Taylor Shines in Vulnerable Return “Falling Hard” by Mitch Mosk
April 10, 2019<April 11, 2019 Premiere: Feed Your Ego With DRÄGER’s Hypnotic Debut “Psycho Narcissistic Paranoia” by Nick Baron
April 10, 2019<April 10, 2019 Premiere: Luke Sital-Singh’s “Raise Well” Radiates Hope & Love in a Golden State of Mind by Mitch Mosk
April 10, 2019<April 10, 2019 Premiere: Finding Peace of Mind in Elle Azar’s “Starry Night” by Francesca Rose
April 9, 2019<April 9, 2019 Premiere: Paper Beat Scissors Charms with Radiant & Sly “Don’t Mind” by Mitch Mosk
April 9, 2019<April 9, 2019 Premiere: Emma Frank’s Poised & Personal “I Thought” Is an Exploration of Commitment by Adrian Vargas
April 8, 2019<April 8, 2019 Premiere: Figure Eight’s “True Love” Is DIY Drama at Its Finest by James Crowley
April 5, 2019<April 5, 2019 Premiere: Megan Nash’s “Deer Head” Is a Raw, Aching Anthem for the Heavy-Hearted by Mitch Mosk
April 4, 2019<April 4, 2019 Premiere: Dream Pop Duo The Away Days Return with Poignant & Soaring “Designed” by Mitch Mosk
April 4, 2019<April 4, 2019 Premiere: Ladysse Portrays the Lesser-Known Side of Fame in “Heartbreak Hollywood” by Alicia Bugallo
April 4, 2019<April 4, 2019 Premiere: Aisha Badru’s “Enough” Encourages Strength During Moments of Sadness by Francesca Rose
April 3, 2019<April 3, 2019 Premiere: Anima & Ennui Embrace Life in Haunting Debut “Nothing Better” by Mitch Mosk