July 6, 2020<September 24, 2022 Review: The Fictional ’60s Nostalgia of Les Hay Babies’ ‘Boîte aux Lettres’ by Frankie Rose
9.3 July 3, 2020<December 15, 2020 Feature: AJIMAL & Guy Massey Breathe Life into Breathtaking Album ‘As It Grows Dark / Light’ by Mitch Mosk
July 3, 2020<July 3, 2020 Feature: London’s Maya Delilah Debuts with Sweet n’ Soulful EP ‘Oh Boy’ by Mitch Mosk
July 2, 2020<July 1, 2020 Review: Meadow Meadow’s “Bonzo” & “Fireworks” Make for a Spellbinding Introduction by Mitch Mosk
9.4 June 30, 2020<February 7, 2024 Feature: Denison Witmer’s Breathtaking ‘American Foursquare’ Is a Soundtrack to Life Lived by Mitch Mosk
June 30, 2020<June 30, 2020 Track-by-Track: Mini Trees Dives into Her Intimate, Sun-Kissed Sophomore EP ‘Slip Away’ by Mitch Mosk
June 30, 2020<June 29, 2024 Roundtable Discussion: A Review of Run the Jewels’ ‘RTJ4’ by Atwood Magazine Staff
June 29, 2020<June 29, 2020 Artist to Watch: Chicago Trio Dehd Dwell in Stirring Depths on New Songs “Loner” & “Flood” by Mitch Mosk
June 29, 2020<June 29, 2020 Track-by-Track: Leeds Trailblazers KOYO Leave Their Mark with Feverish Sophomore Album ‘You Said It’ by Mitch Mosk
June 26, 2020<June 26, 2020 Track-by-Track: Ontario’s BURS Debut with Depth & Vulnerability in Stirring EP ‘Through Windows’ by Mitch Mosk
June 26, 2020<June 26, 2020 Familial Fuel for a Timeless Album: An Interview with Billy Lockett by Adrian Vargas
June 26, 2020<June 26, 2020 Artist to Watch: Charleston’s Beach Tiger Shine Bright on Spirited Debut Album ‘Nostalgia Hot’ by Mitch Mosk
June 26, 2020<July 1, 2020 Feature: Ego Ella May Pours Her Soul Out on Debut Album ‘Honey for Wounds’ by Mitch Mosk
June 25, 2020<June 25, 2020 Premiere: Party of the Sun Take Solace in Traditionalism with ‘Goldenwood’ EP by Anthony Kozlowski
June 24, 2020<June 25, 2020 Review: Ireland’s Paddy Dennehy Searches for Something to Believe in on Debut ‘Little Light’ by Ben Niesen
For the Love of Music
For the Love of Music
