October 21, 2020<October 21, 2020 Artist to Watch: The Habits Ignite with Electric Energy in New EP ‘What’s the Worst That Could Happen?’ by Mitch Mosk
October 20, 2020<October 20, 2020 Review: SPAZA’s UPRIZE! is a Soundtrack to Upheaval & Hope by Adrian Vargas
October 15, 2020<October 15, 2020 Premiere: Inside The Entrancing, Evolutionary Sound of Vansire’s ‘After Fillmore County’ by Madison Vettorino
October 15, 2020<October 12, 2020 Curiosity, Vulnerability, & Trust: Gracie and Rachel Dive Deep into ‘Hello Weakness, You Make Me Strong’ by Mitch Mosk
October 14, 2020<December 15, 2020 Review: Town Meeting Incinerate Small-Town Woes on ‘Make Things Better’ by Ethan James
October 13, 2020<October 13, 2020 Review: Rilo Kiley’s Reissue of Self-Titled Debut Proves Its Innate Timeless Charm by Kelly Liu
October 13, 2020<October 13, 2020 Review: A Look Inside Joji’s Artistic Manifesto, His Second Album ‘Nectar’ by Dimitra Gurduiala
October 12, 2020<October 12, 2020 Kaurismaki, Miyazaki, Cocteau: Luka Kuplowsky Embraces Sound & Space in ‘Stardust’ by Mitch Mosk
October 12, 2020<October 12, 2020 Anywhere, Everywhere, Everyday: Jim and Sam Dive into Debut Album ‘Songs from After So Many Days’ by Mitch Mosk
October 12, 2020<October 12, 2020 Feature: ‘Sundry Rock Song Stock’ Presents Yves Jarvis as Canada’s Next Great Folk Star by Oliver Crook
October 9, 2020<July 30, 2023 Feature: Darlingside’s Dazzling Album ‘Fish Pond Fish’ Is a Connective Triumph by Mitch Mosk
October 9, 2020<October 9, 2020 Track-by-Track: London Duo Stables Enrich & Energize in 3rd Album ‘Silhouettes’ by Mitch Mosk
October 9, 2020<August 16, 2021 This Just In: rei brown Gets Genuine About Truth in Latest Single “Honest” by Erica Danielle Garcia
October 8, 2020<November 15, 2020 Colourful, Dense, & Unpredictable: Tempesst’s Wondrous Debut Album ‘Must Be a Dream’ by Mitch Mosk
October 8, 2020<October 8, 2020 Track-by-Track: The Intimate Upheaval of in earnest’s Self-Titled Debut EP by Mitch Mosk
For the Love of Music
For the Love of Music
