Track-by-Track

October 29, 2018<November 8, 2018

Album Review: BROCKHAMPTON Shine with ‘iridescence’

by Atwood Magazine Staff

Orions Belte - 'Mint' Album Artwork © Steph Hope

October 9, 2018<October 9, 2018

Track-by-Track: Orions Belte’s Excitingly Fresh Debut Album ‘Mint’

by Mitch Mosk

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Brand New

Roundtable Discussion: A Review of Melanie Martinez’s ‘HADES’
“Heaven’s Open and True Love Is Alive”: Selve Chase Holy Fire Through Desire & Danger on ‘Breaking Outta Heaven,’ a Liberating Escape Beyond the Gates
“The Love Is Always There”: Winyah Chase Home, Heart, & the Cost of the Climb on “Rat Race,” a Roaring Indie Rock Anthem for Dreamers Running on Empty
“I Took My Body to the Water”: Brooklyn Del & The Revelators Wash the Past Away on “Baptized of You,” a Seductive Desert-Country Reawakening
Our Take: Bleachers Find Grace in Life’s Loudest and Quietest Moments in ‘everyone for ten minutes’
“Sorrow Is Love’s Souvenir”: Gareth Dunlop Sings Through Grief’s Ancient Ache on “Wish I Couldn’t Feel a Thing,” a Soul-Stirring Alt-R&B Reckoning
“Roots the House Down”: A Pride Month Playlist by Matt Suave

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Recent Posts

Roundtable Discussion: A Review of Melanie Martinez’s ‘HADES’ July 2, 2026
“Heaven’s Open and True Love Is Alive”: Selve Chase Holy Fire Through Desire & Danger on ‘Breaking Outta Heaven,’ a Liberating Escape Beyond the Gates July 2, 2026
“The Love Is Always There”: Winyah Chase Home, Heart, & the Cost of the Climb on “Rat Race,” a Roaring Indie Rock Anthem for Dreamers Running on Empty July 2, 2026
“I Took My Body to the Water”: Brooklyn Del & The Revelators Wash the Past Away on “Baptized of You,” a Seductive Desert-Country Reawakening July 1, 2026
Our Take: Bleachers Find Grace in Life’s Loudest and Quietest Moments in ‘everyone for ten minutes’ July 1, 2026
“Sorrow Is Love’s Souvenir”: Gareth Dunlop Sings Through Grief’s Ancient Ache on “Wish I Couldn’t Feel a Thing,” a Soul-Stirring Alt-R&B Reckoning July 1, 2026
“Roots the House Down”: A Pride Month Playlist by Matt Suave July 1, 2026
“What Happened to You, My Friend?”: CR & The White Lights Revisit Lost Ties on “Yearbook,” a Dreamy Alt-Country Reckoning June 30, 2026
Today’s Song: olive wreath Debuts “cold warm green blue,” a Hyperfolk Ode to the Changing Tides of Life and the Self June 30, 2026
Lies from the Mind: Carol Ades on Shame, Self-Trust, & Being the ‘Worst Person in the World’ June 30, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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