8.7 January 14, 2020<December 15, 2020 Our Take: Kaytranada Delivers the Last Great Dance Record of the 2010s by Josh Weiner
8.7 January 7, 2020<December 15, 2020 Our Take: Akai Solo and Pink Siifu’s ‘Black Sand’ Is an Experimental Treasure by Ryan Feyre
8.3 November 19, 2019<December 15, 2020 Our Take: Sam Fender’s ‘Hypersonic Missiles’ Is a Protest Piece Tailor-Made for the 21st Century by Alicia Bugallo
7.3 November 8, 2019<December 15, 2020 Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’ by Josh Weiner
10 October 1, 2019<December 15, 2020 Our Take: Foy Vance’s ‘To Memphis’ Is the Record for Your Soul by Erica Danielle Garcia
9.4 September 18, 2019<December 15, 2020 A Mystery & Charm that Only Strengthens with Age: A Conversation with Blood Cultures by Adrian Vargas
9.3 September 13, 2019<December 15, 2020 Our Take: The Lumineers’ III Is a Sonic and Cinematic Masterpiece by Kelly McCafferty Dorogy
September 11, 2019<December 15, 2020 Review: The Commonheart’s ‘Pressure’ Will Make You Feel the Love by Oliver Crook
8 September 6, 2019<December 15, 2020 Our Take: Charming & Personal, Frankie Cosmos Captivate on ‘Close It Quietly’ by Adrian Vargas
7.4 August 29, 2019<December 15, 2020 Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record by Meredith Nardino
10 August 21, 2019<December 15, 2020 Our Take: Bomethius’ Pleasantly Unpleasant ‘Sweet Nothings’ Is a Folk Masterpiece Hiding in Plain Sight by Anthony Kozlowski
7.1 August 19, 2019<December 15, 2020 Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man by Josh Weiner
9 August 15, 2019<December 15, 2020 Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’ by Mitch Mosk
8.1 August 13, 2019<December 15, 2020 Our Take: Necking’s ‘Cut Your Teeth’ is Pure Blunt Bombast by Danny Vagnoni
7.1 August 6, 2019<December 15, 2020 Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’ by Josh Weiner