October 5, 2018 October 5, 2018 Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once? by Josh Weiner
September 28, 2018 October 2, 2018 Compartmentalizing What Makes Us Human: A Track-By-Track Review of The Tallest Man on Earth’s “When the Bird Sees the Solid Ground” by Adrian Vargas
August 23, 2018 August 24, 2018 Our Take: Joey Dosik’s Impeccably Stylized Debut ‘Inside Voice’ Hits All of the Right Notes by Adrian Vargas
August 22, 2018 August 22, 2018 Our Take: Moses Sumney’s ‘Black in Deep Red, 2014’ Captures the Tumult & Triumph of Protest by Nick Baron
August 17, 2018 August 17, 2018 Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering by Josh Weiner
August 10, 2018 August 10, 2018 Our Take: Rainbow Kitten Surprise Are Three-Peat Heartbreakers with ‘How To: Friend, Love, Freefall’ by Abby Jones
August 2, 2018 April 16, 2020 Our Take: Free Cake for Every Creature Find Their Footing with ‘The Bluest Star’ by Carolyn Fasone
July 27, 2018 July 27, 2018 Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now” by Josh Weiner
June 25, 2018 June 25, 2018 Our Take: Intimate Storytelling with The Saxophones’ Ethereal Debut ‘Songs of The Saxophones’ by Adrian Vargas
June 4, 2018 June 4, 2018 Our Take: Tenderfoot Debut ‘To Be Young’ with Heartfelt Warmth and Nostalgic Reverie by Mitch Mosk
June 4, 2018 June 4, 2018 Our Take: Flowertruck’s Debut ‘Mostly Sunny’ Provides a Charming Summer Anthem by Adrian Vargas
June 1, 2018 June 12, 2018 Our Take: The Sea The Sea Rise ‘From the Light’ in Dazzling Sophomore Album by Mitch Mosk
For the Love of Music
For the Love of Music
