March 22, 2019 March 22, 2019 Our Take: Snarky Puppy’s ‘Immigrance’ Is a Slow-Burn Opus by Danny Vagnoni
March 21, 2019 March 21, 2019 Our Take: Stella Donnelly Channels Ferocity & Charm with Debut ‘Beware of the Dogs’ by Adrian Vargas
March 21, 2019 April 30, 2019 Hozier’s Fierce, Elegant & Irresistible Sophomore Album ‘Wasteland, Baby!’ by Mitch Mosk
March 13, 2019 March 13, 2019 Our Take: Avril Lavigne Brushes Demons Aside on ‘Head Above Water,’ Her Post-Health Scare Return to Form by Josh Weiner
March 8, 2019 March 8, 2019 Our Take: Sigrid Delivers a Knockout Debut with ‘Sucker Punch’ by Luke Pettican
March 4, 2019 March 4, 2019 Our Take: Spellling’s ‘Mazy Fly’ Will Make You Believe in Magic by Matthew Dunn
February 22, 2019 February 22, 2019 Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth by Adrian Vargas
February 13, 2019 February 13, 2019 Our Take: Joy and Sorrow in Beirut’s ‘Gallipoli’ by Danny Vagnoni
February 8, 2019 February 8, 2019 Review: ‘The Dip Delivers’ Breaths Fresh Life into a Classic Soul Sound by Mitch Mosk
February 8, 2019 February 8, 2019 Our Take: Masculinity & Male Privilege Meet Tenderness in Henry Jamison’s Hopeful ‘Gloria Duplex’ by Audrey Steeves
February 5, 2019 February 17, 2019 Our Take: Sharon Van Etten’s ‘Remind Me Tomorrow’ Is a Fearless Step into a Bold New Sound by Adrian Vargas
January 31, 2019 January 31, 2019 Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job by Oliver Crook
January 28, 2019 January 28, 2019 Our Take: Deerhunter Dissolve the Formula in ‘Why Hasn’t Everything Already Disappeared?’ but the Elements Are Still There by Ben Niesen
January 9, 2019 January 9, 2019 Our Take: Earl Sweatshirt Bends Time and Space on ‘Some Rap Songs’ by Devin Stuzin
December 19, 2018 December 19, 2018 Our Take: Shad’s Righteous Fury Shines Through on ‘A Short Story About a War’ by Oliver Crook
For the Love of Music
For the Love of Music
