April 9, 2021<April 9, 2021 Review: Spirit of the Beehive Become One with the Ether on ‘ENTERTAINMENT, DEATH’ by Sophie Prettyman-Beauchamp
April 9, 2021<April 9, 2021 “Reflecting. Accepting. Healing.”: Cujo Moon Weaves Worlds of Wonder in ‘Bridges II’ EP by Mitch Mosk
April 9, 2021<April 9, 2021 “Soul Blues Goodness”: Stealth Soars in His Smoldering Debut Album ‘Bury Me’ by Mitch Mosk
April 8, 2021<June 29, 2024 Roundtable Discussion: A Review of Lana Del Rey’s ‘Chemtrails over the Country Club’ by Atwood Magazine Staff
April 8, 2021<April 8, 2021 This Just In: Gatlin’s “What If I Love You” Is a Bright & Buoyant Upheaval by Mitch Mosk
April 8, 2021<April 7, 2021 Review: Dallas’ Tusing Floats Toward His Best Self on New Single “Wasted” by Anthony Kozlowski
April 7, 2021<April 7, 2021 Interview: VALLEY Capture ’90s Nostalgia in Uplifting Pop Anthem “Like 1999” by Mitch Mosk
April 7, 2021<April 7, 2021 Premiere: Small Reactions Ready for a New Era With Freedom Hymn “New Age Soul” by Dimitra Gurduiala
April 6, 2021<April 6, 2021 “Heart, Body, & Soul”: Brooklyn’s TALIA Dives into Her Intimate & Visceral Debut EP ‘headrush’ by Mitch Mosk
April 2, 2021<April 2, 2021 ‘ALL i’ve HEARD’: whiterosemoxie Shares His Musical Influences, New Songs “stains” & “Ring the Alarm” by Mitch Mosk
April 2, 2021<April 2, 2021 “Hope-Filled, Anthemic, & Canadian”: Hey, King! Dive into Their Energizing & Resilient Self-Titled Debut by Mitch Mosk
April 1, 2021<April 8, 2021 Olivia Rodrigo’s “deja vu” Is Going to Turn Some Heads & Stir Some Pots by Nasya Blackshear
April 1, 2021<April 1, 2021 “Raw, Fierce, & Catchy”: Alex Little & The Suspicious Minds Dive into Debut Album ‘Waiting to Get Paid’ by Mitch Mosk
March 31, 2021<March 31, 2021 Hey Violet Channel Isolation Angst into Buoyant Pop Anthem “Friends Like This” by Mitch Mosk
March 31, 2021<March 31, 2021 “Reflective, Intimate, & Warm”: Lucy Park Dives into Her Intimate Debut EP ‘Before I Speak’ by Mitch Mosk
For the Love of Music
For the Love of Music
