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Why Bonnie 'Wish on the Bone' © Julia Khoroshilov
Features, Interviews, MusicSeptember 5, 2024<September 6, 2024

God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’

by Will Yarbrough
Dhani Harrison and Mereki Beach trade vocals on their co-write “Ghost Garden” for the INNERSOUNDSTAGE live concert © Aidan Moyer
Concerts, Music, ReviewsSeptember 5, 2024<September 5, 2024

Wonderful Light, We Set the Scene: Dhani Harrison Takes the INNERSOUNDSTAGE

by Aidan Moyer
Oh Wonder, 10 Years On
Columns, Music, Today's SongSeptember 4, 2024<September 4, 2024

“Before you came ’round my heart would never beat much faster”: Oh Wonder Revisit Their Breathtaking Debut Single With “Body Gold (10 Years On)”

by Mitch Mosk
Sloan Golden 'Missing Stair' © Lauren Nieves
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 4, 2024<September 4, 2024

Reflective, Unflinching, & Palpable: Sloan Golden Debuts With Intimacy, Intentionality, and ‘Long Conversations’

by Mitch Mosk
Hinds 'Viva Hinds' © Dario Vazquez
Features, Interviews, MusicSeptember 4, 2024<September 4, 2024

“Hi, How Are You?”: Hinds Reintroduce Themselves on Danceable & Unforgettable New Album ‘VIVA HINDS’

by Aaron Childree
Short n’ Sweet - Sabrina Carpenter
Features, Music, Reviews, RoundtableSeptember 4, 2024<September 4, 2024

Roundtable Discussion: A Review of Sabrina Carpenter’s ‘Short n’ Sweet’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | September 2, 2024
Columns, Features, Music, Weekly RoundupSeptember 2, 2024<September 4, 2024

Atwood Magazine’s Weekly Roundup: September 2, 2024

by Atwood Magazine Staff
country girl © Ashley Lieberman
Columns, Music, Today's SongSeptember 1, 2024<September 1, 2024

“I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction

by Mitch Mosk
The Sherlocks © Nathan Kobierowsky
Columns, Music, Today's SongAugust 31, 2024<August 31, 2024

“This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages

by Mitch Mosk
Tim Atlas © Tim Atlas
Debut, Features, Interviews, Music, Track-by-TrackAugust 30, 2024<August 30, 2024

“A reintroduction to me as a human and as an artist”: Tim Atlas Unpacks ‘Enchanté,’ His Ambitiously Bold Debut LP

by Mitch Mosk
Nick Cave © Megan Cullen
Music, ReviewsAugust 30, 2024<August 30, 2024

Review: ‘Wild God’ Carries Nick Cave & The Bad Seeds Out of a Lost Place

by Liv Goodbody
Water the Flowers, Pray for a Garden - Valley
Features, Interviews, Music, Track-by-TrackAugust 30, 2024<September 3, 2024

‘Water the Flowers, Pray for a Garden’: Valley Discuss Grief, Growth, & Owning Their Truths With Their Third LP

by Mitch Mosk
Bishop Briggs © Nick Walker
Columns, Music, Today's SongAugust 29, 2024<August 29, 2024

“I want you to knock my lights out”: Bishop Briggs’ Messy, Sweaty, & Intoxicating Anthem, “Mona Lisa on a Mattress”

by Mitch Mosk
Little Mystery © Maya Meissner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024

“I am not who I thought I’d be”: Little Mystery’s Ivy Meissner Bares Her Soul on Breathtaking Debut LP

by Mitch Mosk
The Rare Occasions © Alex Justice
Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024

Track-by-Track: The Rare Occasions Unpack 2022’s ‘Attaboy’ EP, an Exhilarating & Undeniably Fun Indie Rock Record

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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