Debut, Music, ReviewsApril 30, 2024<April 30, 2024 Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’ by Jake Fewx
Features, Interviews, MusicApril 30, 2024<April 30, 2024 “We are ultimately pioneers of our own sound”: Oxford Legends Ride Discuss Their Adventurous 7th Album ‘Interplay’ by Kevin Cost
Music, PremieresApril 29, 2024<April 29, 2024 “A slow way down to your world inside”: The Achingly Beautiful Fragility & Vulnerability of Jae Soto’s “Honesty” by Mitch Mosk
Columns, Music, Today's SongApril 29, 2024<April 29, 2024 “I’ve been losing everything that I believe in…”: NYC’s denn. Spills His Heavy Soul in “think,” an Intimate Inner Reckoning by Mitch Mosk
A Casual Ramble, Columns, Concerts, Music, ReviewsApril 29, 2024<April 30, 2024 A Casual Ramble: Oneohtrix Point Never Live at Portland’s Wonder Ballroom by Ben Niesen
Features, Interviews, MusicApril 29, 2024<April 29, 2024 “I didn’t want to be the main girl or the hero”: Pomme Takes Time to Watch the Seasons Bloom in Modern Opera, ‘Saisons’ by Olivia Martinez
Editorials, Features, MusicApril 29, 2024<April 29, 2024 Essay: The Parable of Peter Frampton by Guest Writer
Artist to Watch, Columns, Music, ReviewsApril 29, 2024<April 28, 2024 Artist to Watch: Steinza Says the Quiet Parts Out Loud in “Visions of You,” an Achingly Intimate Folk Rock Singalong by Mitch Mosk
Columns, Music, Today's SongApril 28, 2024<April 27, 2024 Today’s Song: Wild Pink Teams With Wyatt C. Louis on Lovely “Oh Vibrant Sky,” a Soft & Sweet Folk Dream by Beau Hayhoe
Columns, Music, Today's SongApril 27, 2024<April 27, 2024 Another Lennon-McCartney Original: James McCartney Teams with Sean Ono Lennon on “Primrose Hill” by Aidan Moyer
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2024<April 26, 2024 “Laughing at the life we’re wasting”: Argentine Indie Sleaze Duo Pacifica Are Unleashed on Debut ‘Freak Scene’ by Mitch Mosk
Columns, Features, Music, Weekly RoundupApril 26, 2024<May 5, 2024 Atwood Magazine’s Weekly Roundup: April 26, 2024 by Atwood Magazine Staff
Features, Interviews, MusicApril 26, 2024<April 26, 2024 They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity by Sofia Sar
Music, Reviews, This Just InApril 26, 2024<April 28, 2024 “Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible by Hamish Monk
Features, Interviews, MusicApril 26, 2024<April 26, 2024 Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage by Guest Writer
For the Love of Music
For the Love of Music
