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Mustafa © Jack McKain
Columns, Music, Today's SongAugust 26, 2024<August 26, 2024

Today’s Song: Mustafa Tackles Grief and Love, Redefining Lullabies As a Beacon of Memory in “SNL”

by Mariam Bagdady
Vertigo © Jude Aotik
Columns, Debut, Music, Today's SongAugust 25, 2024<August 27, 2024

Today’s Song: Aazar & Capozzi’s Vertigo Hope to Hit the Hearts of Music Fans With Debut Single ft. Makayla Phillips

by Josh Weiner
Courteeners © Michael Clement
Columns, Music, Today's SongAugust 24, 2024<August 24, 2024

Today’s Song: British Indie Pop Outfit Courteeners Seek Clarity Amidst Seclusion with “Solitude of the Night Bus”

by Chloe Robinson
Dhruv © Stefan Kohli
Debut, Features, Interviews, Music, Track-by-TrackAugust 23, 2024<August 23, 2024

Track-by-Track: Dhruv’s Soul Shines on ‘Private Blizzard,’ His Intense, Confessional, & Beautifully Messy Debut Album

by Mitch Mosk
Emily Wurramara 'NARA'
Features, Interviews, Music, Track-by-TrackAugust 23, 2024<August 27, 2024

“Hydrate your soul”: Emily Wurramara Embraces Her Truth in ‘NARA,’ a Triumphant Album of Nothing & Everything

by Mitch Mosk
The National Parks © Katie Seaman
Features, Interviews, MusicAugust 23, 2024<August 23, 2024

“Dreaming all day, wandering all night”: The National Parks Embrace Their ‘Wild Spirit’ in an Album of Wilderness, Folk, & Adventure

by Mitch Mosk
illuminati hotties' Sarah Tudzin graces the front cover of her fourth album, 'POWER'
Features, Interviews, MusicAugust 23, 2024<August 23, 2024

“I was able to allow myself to be more real”: Illuminati Hotties Stops Dodging the Truth and Starts Healing on ‘POWER’

by Oliver Crook
Nerina Pallot © Tommy Reynolds
Columns, Music, Today's SongAugust 23, 2024<August 23, 2024

Today’s Song: Nerina Pallot Reminds Us What It Is to Be Human on “Regrets”

by Emily Frances Algar
Bando Stone and the New World - Childish Gambino
Music, Reviews, RoundtableAugust 22, 2024<August 22, 2024

Roundtable Discussion: A Review of Childish Gambino’s ‘Bando Stone and the New World’

by Atwood Magazine Staff
'In the Shadow of the Holy Mountain'
Features, Interviews, Music, Track-by-TrackAugust 22, 2024<August 29, 2024

Human Connection: The Story of Blind Pilot’s Fourth Album, ‘In the Shadow of the Holy Mountain’

by Mitch Mosk
Gabe Goodman © Charlie Weinmann
Columns, Features, Interviews, Music, Today's SongAugust 22, 2024<August 22, 2024

“How to love and be loved”: Gabe Goodman Explores Life’s Big Questions on Debut Album ‘The Rock’

by Mitch Mosk
The Noisy © Uv Lucas
Debut, Features, Interviews, Music, Track-by-TrackAugust 21, 2024<August 21, 2024

“Queer Metabolism”: Inside The Noisy’s Charged & Charming Debut LP ‘The Secret Ingredient Is More Meat’

by Mitch Mosk
Palomino Blond "Understand" © Dennis Ho
Music, PremieresAugust 21, 2024<August 21, 2024

Premiere: Miami’s Palomino Blond Unleash Their Angst in Alt-Rock Tempest “Understand”

by Mitch Mosk
The Staves © Josh Shinner
Columns, Music, Today's SongAugust 21, 2024<August 21, 2024

Today’s Song: The Staves Are “Waiting for the Joy” to Come in Their Invigorating, Harmony-Soaked Anthem of Angst & Existential Dread

by Mitch Mosk
MAITA 'want' © Tristan Paiige
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

Track-by-Track: The Tender Turbulence of MAITA’s Passionate, Subtle, & Potent Third Album, ‘want’

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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