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Sleepwalker's self-titled debut EP
Debut, Music, ReviewsJuly 2, 2024<July 2, 2024

Review: Sleepwalker’s Self-Titled EP Is an Emotive & Burning Assortment Not to Be Slept on

by Chloe Robinson
Lana Del Rey’s Ocean Blvd tour has been as untraditional as her music career
Concerts, Music, ReviewsJuly 2, 2024<July 2, 2024

Concert Review: Lana Del Rey’s One Special Night at Fenway Park, Full of Heat, Rain, and Soaring Vocal Performances

by Marc Maleri
Still Woozy 'Loveseat' © Alex Kennedy
Features, Interviews, MusicJuly 2, 2024<September 5, 2025

“Maybe the music is the saving grace”: Still Woozy’s Sven Gamsky Gets Comfortable with ‘Loveseat’

by Nasim Elyasi
Julia Logan "Mirrors" © Olof Grind
Artist to Watch, Columns, Interviews, Music, Today's SongJuly 2, 2024<July 2, 2024

“It’s a story of frustration, struggle, and hope”: Julia Logan Embraces Her Restless Heart in “Mirrors”

by Mitch Mosk
I Just Needed You to Know - Girl Scout
Artist to Watch, Columns, Music, Today's SongJuly 1, 2024<July 1, 2024

Today’s Song: The Raw, Exhilarating Rush of Girl Scout’s Angsty & Feverish “I Just Needed You to Know”

by Mitch Mosk
Noah Henderson © courtesy of the artist
Interviews, MusicJuly 1, 2024<July 1, 2024

Interview: Noah Henderson Is Learning to Find Comfort in His Musical Time Capsules

by Noah Wade
Submarine - The Marías
Features, Music, Reviews, RoundtableJuly 1, 2024<July 1, 2024

Roundtable Discussion: A Review of The Marías’ ‘Submarine’

by Atwood Magazine Staff
Milky Chance "Naked and Alive" © Anthony Molina
Columns, Music, Today's SongJune 30, 2024<June 30, 2024

Today’s Song: Milky Chance Pen a ‘Paean to Joyful Solitude’ With “Naked and Alive”

by Beau Hayhoe
Zach Bryan © Trevor Pavlov
Columns, Music, Today's SongJune 29, 2024<June 29, 2024

Welcome, Grief, I’ll Take You for All That You Are: Zach Bryan Bares It All in Emotional Single, “Pink Skies”

by Mariam Bagdady
Country - Medium Build © Tyler Krippaehne
Features, Interviews, MusicJune 28, 2024<June 29, 2024

“The goal was to make something sweet, raw, and direct”: Medium Build Discusses His Achingly Beautiful Album, ‘Country’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 28, 2024
Columns, Features, Music, Weekly RoundupJune 28, 2024<July 1, 2024

Atwood Magazine’s Weekly Roundup: June 28, 2024

by Atwood Magazine Staff
Radiosoul - Alfie Templeman
Features, Interviews, Music, Track-by-TrackJune 28, 2024<June 28, 2024

Track-by-Track: Alfie Templeman’s ‘Radiosoul’ Is a Soaring, Spirited Coming-of-Age Triumph

by Mitch Mosk
Scott Guild © Anna Powell Denton
Columns, Essays, Music, Pride MonthJune 28, 2024<June 28, 2024

“Queering the Genres”: A Pride Month Essay by Scott Guild

by Guest Writer
Taylor Swift brings The Eras Tour to London's Wembley Stadium © Kevin Mazur (Instagram)
Concerts, Music, ReviewsJune 28, 2024<June 28, 2024

Live Review: Taylor Swift’s The Eras Tour Basks in All Its Grandeur at London’s Wembley Stadium

by Rachel Leong
The Warning 'Keep Me Fed' © Danielle Ernst
Features, Interviews, MusicJune 28, 2024<June 29, 2024

Interview: The Warning Discuss New Album ‘Keep Me Fed’ and Its Themes of Excess & Overindulgence

by Kendall Graham
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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