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meadows © 2024
Music, PremieresAugust 29, 2024<August 29, 2024

“I’m falling apart in the red car”: Winnipeg’s meadows Brace for Loss on “If You Go,” a Brooding Slowcore Daydream

by Mitch Mosk
FINNEAS © Muriel Margaret
Columns, Music, Today's SongAugust 28, 2024<August 28, 2024

Today’s Song: FINNEAS’ “For Cryin’ Out Loud!” Is a Quirky Exploration of Love and Heartache

by Danielle Holian
Evan Honer © Harrison Hargrave
Features, Interviews, Music, Track-by-TrackAugust 28, 2024<August 28, 2024

Truth, Resilience, & Longing: Evan Honer Finds What He’s ‘Fighting For’ With His Soul-Stirring Sophomore Album

by Mitch Mosk
In a sprawling 5-hour collection, with no less than 6 versions of each song from the original tracklist, the new ‘Mind Games’ deluxe set favorably contextualizes a hidden gem of John Lennon’s solo catalog. © Aidan Moyer
Music, ReviewsAugust 28, 2024<October 9, 2025

We Can Shake It With Love When We’re Scared: John Lennon’s ‘Mind Games’ Box Set Review

by Aidan Moyer
lovelytheband © Eric Daniels
Features, Interviews, MusicAugust 28, 2024<August 28, 2024

“A happy accident”: lovelytheband’s Self-Titled Album Captures Their Lovely Core Through Reflections on the Past, Present, & Future

by Lauren Turner
Garrett Owen © Brendan Blaney
Music, PremieresAugust 28, 2024<August 28, 2024

Premiere: Garrett Owen Finds Beauty in the Dysfunctional With the Moving “Beautiful Stain”

by Frankie Rose
Del Water Gap 'I Miss You Already + I Haven't Left Yet (Deluxe)' album art
Columns, Music, Today's SongAugust 27, 2024<August 27, 2024

“Everything I touch turns eventually to dirt”: Del Water Gap Declares Himself King “Midas” in Reverse on Gut-Wrenching Anthem

by Mitch Mosk
Trousdale © Caity Krone
Debut, Features, Interviews, Music, Track-by-TrackAugust 27, 2024<August 27, 2024

Feature: Trousdale Breathe New Life into Their Sun-Kissed Debut With ‘Out of My Mind (Deluxe)’

by Mitch Mosk
Wunderhorse © Polocho
Features, Interviews, MusicAugust 27, 2024<September 29, 2024

“There was magic, like alchemy, in the air”: Wunderhorse’s Jacob Slater on the Band’s Perfectly Unrefined Second LP, ‘Midas’

by Christine Buckley
KROY © 2024
Columns, Music, Music & CitiesAugust 27, 2024<August 27, 2024

Music & Cities: KROY’s ‘SCAVENGER’ in Montréal Amidst the Dawning of Her New Album, ‘Militia’

by David Buyze
Def Leppard's Joe Elliott © Steve Thrasher / SoFi Stadium
Concerts, Music, ReviewsAugust 27, 2024<August 27, 2024

Live Review: Def Leppard, Journey, & Steve Miller Band Rock Inglewood’s SoFi Stadium

by Emma Schoors
Real Estate © Sinna Nasseri
Features, Interviews, MusicAugust 27, 2024<August 27, 2024

Songs to Myself: An Interview With Real Estate’s Martin Courtney

by Kate Millar
Atwood Magazine's Weekly Roundup | August 26, 2024
Columns, Features, Music, Weekly RoundupAugust 26, 2024<August 29, 2024

Atwood Magazine’s Weekly Roundup: August 26, 2024

by Atwood Magazine Staff
Pop pioneers, stage musical mavens, now hologram heroes - ABBA take to the virtual stage in London’s ABBA Voyage © Aidan Moyer
Music, ReviewsAugust 26, 2024<August 26, 2024

Without a Song or Dance, What Are We? The ABBA Voyage Experience

by Aidan Moyer
Chappell Roan © Ryan Lee Clemens
Debut, Features, Interviews, MusicAugust 26, 2024<August 26, 2024

“Drag is camp and camp is the most fun thing in the world”: A Conversation With Pop’s Ascendant Midwest Princess, Chappell Roan

by Anthony Kozlowski
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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