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Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

by Christine Buckley
Running Out of Time - Ashe
Features, Interviews, MusicJuly 9, 2024<July 24, 2024

“I’m not sure if I’m in love, but it feels like freedom”: Ashe Talks Independence, Empowerment, & Her Own Liberation With “Running Out of Time”

by Mitch Mosk
Billy Sharp © 2024
Columns, Debut, Music, Today's SongJuly 9, 2024<July 9, 2024

Today’s Song: The Sweet Seduction of Billy Sharp’s Dreamy Debut Single “Kitchen Disco Queen”

by Mitch Mosk
Maia Kamil © courtesy of the artist
Interviews, Music, ReviewsJuly 9, 2024<July 9, 2024

Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss

by Guest Writer
The Secret of Us - Gracie Abrams
Features, Music, Reviews, RoundtableJuly 9, 2024<July 9, 2024

Roundtable Discussion: A Review of Gracie Abrams’ ‘The Secret of Us’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | July 8, 2024
Columns, Features, Music, Weekly RoundupJuly 8, 2024<July 8, 2024

Atwood Magazine’s Weekly Roundup: July 8, 2024

by Atwood Magazine Staff
Ripe's Robbie Wulfsohn © 2024
Features, Interviews, MusicJuly 8, 2024<July 8, 2024

“A high energy palliative”: Ripe’s Robbie Wulfsohn Reflects on One Year of the Band’s Triumphant ‘Bright Blues’

by Mitch Mosk
WHERE IS ELA © 2024
Columns, Music, Today's SongJuly 7, 2024<July 7, 2024

Today’s Song: Boston’s WHERE IS ELA Has Found a New Sound on “I Wanna Ride”

by Laurent Chavannes
D-Train
Columns, Music, Today's SongJuly 4, 2024<July 4, 2024

Today’s Song: D-Train Resurges With an Ode to Living in the Present on “Time Has Come Today”

by Grace Holtzclaw
Quavo and Lana Del Rey "Tough" © Wyatt Spain Winfrey
Music, Reviews, This Just InJuly 3, 2024<July 3, 2024

This Just In: Lana Del Rey & Quavo Create a Diamond in the Rough With New Song “Tough”

by Marc Maleri
Something Corporate © Connor Lenihan
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Andrew McMahon Talks Something Corporate’s Reunion, New Single “Death Grip,” & the Beauty of Letting Go

by Mitch Mosk
Sarah Kinsley "Last Time We Never Meet Again" © Dillon Matthew
Debut, Features, Interviews, MusicJuly 3, 2024<July 3, 2024

“Our lives were only a blimp”: Sarah Kinsley Talks Endings, Beginnings, and Her Cinematic & Celebratory Debut Album

by Mitch Mosk
Muroki 'Timezones' © 2024
Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Muroki Traverses Genres and ‘Timezones’ in His Cheeky, Sexy, & Soulful Third EP

by Mitch Mosk
Careless - NOANNE
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: NOANNE Offers a Raw & Introspective Look at the Fragility of the Human Spirit in “Careless”

by Joe Beer
Now That's What I Call Fantastic Cat - Fantastic Cat
Features, Interviews, Music, Track-by-TrackJuly 2, 2024<March 18, 2026

Feature: ‘Now That’s What I Call Fantastic Cat’ Is a Stunning Show of Hope & Humanity from Folk Rock Supergroup Fantastic Cat

by Mitch Mosk
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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