Columns, Features, Music, Weekly RoundupSeptember 16, 2024<September 18, 2024 Atwood Magazine’s Weekly Roundup: September 16, 2024 by Atwood Magazine Staff
Interviews, MusicSeptember 16, 2024<September 16, 2024 “There’s beauty and fascination in depression and darkness, but at the same time, there’s lightness and levity”: Cults Discuss Their New Album, ‘To the Ghosts’ by Marc Maleri
Music, ReviewsSeptember 14, 2024<September 15, 2024 Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On by Emma Schoors
Columns, Meet Our WritersSeptember 14, 2024<September 13, 2024 Meet Our Writers: London’s Liv Goodbody! by Liv Goodbody
Features, Interviews, MusicSeptember 13, 2024<September 27, 2024 “The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance by Mitch Mosk
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Columns, Interviews, Music, Today's SongSeptember 13, 2024<September 13, 2024 Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others by Mitch Mosk
Features, Interviews, Music, Track-by-TrackSeptember 13, 2024<September 13, 2024 Track-by-Track: Earthquake Lights Explore Self-Reflection in ‘Signs of Life’ by Joe Beer
Music, PremieresSeptember 12, 2024<September 12, 2024 “All Bets Are Off”: Brooklyn’s Awksymoron Premiere a Hopeful Ode to Life, Friendship, & Uncertainty by Mitch Mosk
Columns, Music, Today's SongSeptember 12, 2024<October 9, 2024 “The sky isn’t only smoke, child”: The Heartfelt Hope & Dreamy Heat of Amanda Bergman’s “All Over Town” by Mitch Mosk
Concerts, Music, ReviewsSeptember 12, 2024<September 12, 2024 “Leave It All at the Door, I’ll Show You”: Setting Los Angeles Alight With Bad Nerves by Emma Schoors
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Features, Interviews, MusicSeptember 11, 2024<September 11, 2024 “There’s a million ways to exist in this world”: Ok Cowgirl’s Leah Lavigne on ‘Couldn’t Save Us From My Gut,’ Honest Musicianship, and Being Asian-American by Rachel Leong
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For the Love of Music
For the Love of Music
