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She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

by Noah Berghammer
Radical Optimism - Dua Lipa
Features, Music, Reviews, RoundtableMay 14, 2024<June 29, 2024

Roundtable Discussion: A Review of Dua Lipa’s ‘Radical Optimism’

by Atwood Magazine Staff
Vicky Farewell © Robb Klassen
Features, Interviews, Music, Track-by-TrackMay 13, 2024<May 13, 2024

Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album

by Mitch Mosk
Cassandra Jenkins © Pooneh Ghana
Columns, Interviews, Music, Today's SongMay 13, 2024<May 13, 2024

“Stick figure sisyphus”: Cassandra Jenkins Dwells in Her Heartache on “Only One,” a Seductive Song of Emotional Stewing

by Mitch Mosk
Amen Dunes © Michael Schmelling
Music, ReviewsMay 13, 2024<May 13, 2024

Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside

by Hamish Monk
Olivia Dean at Eventim Apollo, May 2024 © Rachel Min Leong
Concerts, Music, ReviewsMay 13, 2024<May 13, 2024

Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London

by Rachel Leong
Camp Saint Helene © Angela Ricciardi & Silken Weinburg
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility

by Mitch Mosk
Maya Hawke © Andrew Lyman
Columns, Music, Today's SongMay 10, 2024<May 10, 2024

Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single

by Aaron Childree
Atwood Magazine's Weekly Roundup | May 10, 2024
Columns, Features, Music, Weekly RoundupMay 10, 2024<May 16, 2024

Atwood Magazine’s Weekly Roundup: May 10, 2024

by Atwood Magazine Staff
Lonestar - Dreamer Boy
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning

by Mitch Mosk
Jodie Nicholson © Ellen Dixon
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 14, 2024

“Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’

by Mitch Mosk
Jordan Rakei courtesy of Verve Label Group
Features, Interviews, MusicMay 10, 2024<May 13, 2024

“I wanted everything to sound like humans in a room”: Jordan Rakei Embraces the Journey of Life in Fifth Album ‘The Loop’

by Desire' Jackson-Crosby
'Blink Twice If You’re Okay' EP - FARR
Music, ReviewsMay 10, 2024<May 10, 2024

‘Blink Twice If You’re Okay’: FARR Invite Us into Their Blissful, Psychedelic Cocoon of Effortless Synergy With New EP

by Danielle Furman
Angus & Julia Stone 'Cape Forestier' © Daniel Mayne
Features, Interviews, MusicMay 10, 2024<May 10, 2024

“Moving in and out of the light of love”: Angus & Julia Stone Reflect on Life, Its Honest Truths, & Their Roots in ‘Cape Forestier’

by Lauren Turner
Raveloe's debut album 'Exit Light'
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection

by Mitch Mosk
Posts pagination
1 … 102 103 104 105 106 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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