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Fiona-Lee "Nothing Compares To Nineteen" © Flower Up
Artist to Watch, Columns, Music, Today's SongSeptember 11, 2024<September 11, 2024

“He said boys didn’t talk about feelings”: A Vulnerable Rock Confession on Fiona-Lee’s “Nothing Compares to Nineteen”

by Christine Buckley
Romance - Fontaines D.C.
Features, Music, Reviews, RoundtableSeptember 10, 2024<September 10, 2024

Roundtable Discussion: A Review of Fontaines D.C.’s ‘Romance’

by Atwood Magazine Staff
Chappell Roan performs at Outside Lands 2024
Festival, Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Outside Lands Boasts Queer and Bay Area Pride in Its Sixteenth Year

by Ankita Bhanot
Atwood Magazine's Weekly Roundup | September 9, 2024
Columns, Features, Music, Weekly RoundupSeptember 10, 2024<September 11, 2024

Atwood Magazine’s Weekly Roundup: September 9, 2024

by Atwood Magazine Staff
No Friends - Mensiing x siii3eyes
Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Mensing & siii3eyes Revel in Melancholy on ‘No Friends,’ a Colorful, Contemplative, & Resolute Masterclass In Lo-fi Hip-Hop

by Jake Fewx
Lunar Vacation © Alexa Viscius
Features, Interviews, MusicSeptember 10, 2024<September 10, 2024

“That is the job. I want other people to not feel alone”: Lunar Vacation Discuss Their Ruminative Album, ‘Everything Matters, Everything’s Fire’

by Marc Maleri
Don’t Delete My Number - daydreamers
Columns, Music, Today's SongSeptember 9, 2024<September 9, 2024

daydreamers Pair Melodic Ear Candy With Pleading Lyrics on “Don’t Delete My Number”

by Aaron Childree
Dayglow's Sloan Struble © Luke Rogers
Features, Interviews, MusicSeptember 9, 2024<September 21, 2024

“As human as possible”: Dayglow’s Sloan Struble on Making the Most ‘Dayglow’ Dayglow Album of His Career

by Lauren Turner
Devarrow © 2024
Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk

by Mitch Mosk
Wax Owls © Nina Ripich
Debut, Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

“Give a weight for hope”: LA’s Wax Owls Weave Reflective & Vulnerable Indie Folk Reveries on Debut EP ‘Cowboy Cologne’

by Mitch Mosk
Fontaines D.C. 'Romance' © Theo Cottle
Music, Reviews, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album

by Emma Rayder
TENDER © Jack Batchelor
Interviews, MusicSeptember 6, 2024<September 6, 2024

Interview: TENDER Showcase Musical Range and Intimate Lyrics on Mesmerizing New Album ‘FLUX’

by Aaron Childree
Trace Mountains © Alyx Soard
Columns, Music, Today's SongSeptember 5, 2024<September 5, 2024

“A burning desire”: Basking in the Sweet, Sweaty Heat of Trace Mountains’ 7-Minute Reverie, “In a Dream”

by Mitch Mosk
Joe George 'Folk Cinema' © Cory Dewald
Features, Interviews, Music, Track-by-TrackSeptember 5, 2024<September 5, 2024

Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’

by Mitch Mosk
Triple Seven - Wishy
Debut, Music, ReviewsSeptember 5, 2024<September 5, 2024

Quenching the Thirst of All Indie Rock Lovers, Wishy’s ‘Triple Seven’ Offers a Ten-Course Tasting Menu of Delicious Hooks & Scrumptious Bites

by Kevin Cost
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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