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Fearless Movement - Kamasi Washington 9.2
Music, Our Take, ReviewsMay 9, 2024<May 9, 2024

Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’

by Josh Weiner
Peach Luffe © Alex Lam
Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High

by Mitch Mosk
Corella 'Once Upon a Weekend' © Jake Haseldine
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind

by Mitch Mosk
Dua Lipa 'Radical Optimism' © Tyrone Lebon
Music, ReviewsMay 9, 2024<May 9, 2024

Dua Lipa Wholeheartedly Opens Up in ‘Radical Optimism’

by Lauren Turner
Hooked Like Helen © Rat Majesty
Columns, Editorials, Mental Health Awareness MonthMay 9, 2024<November 14, 2024

From Pain to Peace: Rock Band Hooked Like Helen’s Journey Through Mental Health and Music

by Guest Writer
HELLCAT - Kitty Coen
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album

by Mitch Mosk
h. pruz © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth

by Mitch Mosk
Quiet Canyons © Casey Curry
Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’

by Mitch Mosk
English Teacher © Denmarc Creary
Debut, Features, Interviews, MusicMay 8, 2024<May 8, 2024

Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’

by Oliver Crook
Torri Weidinger and Hannah Hill at STFU Night 1 © Noah Berghammer
Concerts, Music, ReviewsMay 8, 2024<May 8, 2024

STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level

by Guest Writer
All Born Screaming - St. Vincent
Music, ReviewsMay 8, 2024<May 8, 2024

Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot

by Emma Rayder
Martí © 2024
Columns, Music, Today's SongMay 7, 2024<May 7, 2024

Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)”

by Joe Beer
Britti © Jim Herrington
Debut, Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut

by Mitch Mosk
snarls © Sumner Howells
Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy

by Mitch Mosk
Microwave 'Let's Start Degeneracy' © Cameron Flaisch
Features, Interviews, MusicMay 7, 2024<May 7, 2024

Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’

by James Crowley
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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