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Chappell Roan "Good Luck, Babe!" © Ryan Clemens
Music, Reviews, This Just InApril 24, 2024<May 5, 2025

Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims

by Dimitra Gurduiala
WRKHOUSE © Cara Kealy
Debut, Features, Interviews, Music, Track-by-TrackApril 23, 2024<April 23, 2024

“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie

by Mitch Mosk
BEL © SJ Spreng
Columns, Interviews, Music, Today's SongApril 23, 2024<April 23, 2024

“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem

by Mitch Mosk
Yvonne Ambree © Rosie Cohe
Music, Music Videos, PremieresApril 23, 2024<April 23, 2024

“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction

by Mitch Mosk
Red Rum Club © 2024
Features, Interviews, MusicApril 23, 2024<April 23, 2024

Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’

by Jake Fewx
ROREY © Erica Devin Snyder
Features, Interviews, MusicApril 23, 2024<April 23, 2024

“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change

by Chloe Robinson
Asha Imuno © Helene Kertanis
Concerts, Music, ReviewsApril 23, 2024<April 23, 2024

Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm

by Minna Abdel-Gawad
Nick Folwarczny © William Wark
Columns, Music, Today's SongApril 22, 2024<April 22, 2024

Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache

by Mitch Mosk
BANNERS © Marieke Macklon
Features, Interviews, Music, Track-by-TrackApril 22, 2024<April 22, 2024

‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming

by Lauren Turner
Only God Was Above Us - Vampire Weekend
Features, Music, Reviews, RoundtableApril 22, 2024<June 29, 2024

Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’

by Atwood Magazine Staff
Care - Golda May
Columns, Music, Today's SongApril 21, 2024<April 17, 2024

Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound

by Danielle Furman
Laci Kaye Booth © Acacia Evans
Columns, Music, Today's SongApril 20, 2024<April 17, 2024

“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | April 19, 2024
Columns, Features, Music, Weekly RoundupApril 19, 2024<April 22, 2024

Atwood Magazine’s Weekly Roundup: April 19, 2024

by Atwood Magazine Staff
Rex and the Rhythm © LOUD 87
Columns, Music, Today's SongApril 19, 2024<April 19, 2024

Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound

by Chloe Robinson
Asha Jefferies © Jax Oliver
Debut, Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’

by Mitch Mosk
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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