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the whaler - Home Is Where
Music, Reviews, Track-by-TrackAugust 15, 2024<August 14, 2024

Track-by-Track: Home Is Where’s ‘the whaler’ Is a Lifetime of Damnation, Lived Again, and Again, and Again…

by Frederick Bloy
Billy Keane © 2024
Music, PremieresAugust 15, 2024<August 14, 2024

Premiere: Billy Keane’s Feel-Good “Girl Ain’t Mine” Is Breathtaking, Soul-Shaking Blues Rock at Its Finest

by Mitch Mosk
Amor Muere © Natanael Guzmán
Debut, MusicAugust 14, 2024<August 14, 2024

Interview: ‘A Time to Live, A Time to Die,’ and a Time to Lend Amor Muere an Ear

by Josh Weiner
Maude Latour 'Sugar Water' © Christina Bryson
Debut, Features, Interviews, MusicAugust 14, 2024<August 16, 2024

Interview: ‘Sugar Water,’ Explained in Maude Latour Pop Terms

by Blake McMillan
Stevie Bill © Monique Penders
Columns, Music, Today's SongAugust 14, 2024<August 14, 2024

Stevie Bill’s “Lalala” Is an Irresistible Ode to Our Favorite Songs – And It’s Ready to Become One

by Mitch Mosk
The Killers "Bright Lights" © 2024
Music, Reviews, This Just InAugust 14, 2024<August 14, 2024

The Killers Turn the “Bright Lights” on in a Larger-Than-Life Anthem of Passion, Purpose, & Chasing Dreams

by Mitch Mosk
nicholas © Tim Nagle
Music, PremieresAugust 13, 2024<August 13, 2024

“Waiting on a lonesome dream”: The Soulful Ache of nicholas’ “Belinda”

by Mitch Mosk
Mila Degray "Masculine Charm" © Lucas O.M.
Columns, Interviews, Music, Today's SongAugust 13, 2024<August 13, 2024

“A time capsule of my naivety”: Mila Degray Is Channeling Coming-of-Age Angst into Indie Rock Wonders

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 12, 2024
Columns, Features, Music, Weekly RoundupAugust 12, 2024<August 14, 2024

Atwood Magazine’s Weekly Roundup: August 12, 2024

by Atwood Magazine Staff
Kate Prascher © Shervin Lainez
Music, Music Videos, PremieresAugust 12, 2024<August 12, 2024

“All the things we’ve tried have left a mark”: Kate Prascher Weaves Love, Light, & Lilting Folk Together on “The Island”

by Mitch Mosk
Sunday (1994) © 2024
Artist to Watch, Columns, Interviews, Music, Today's SongAugust 12, 2024<August 12, 2024

“I swallowed SSRI need you”: Sunday (1994) Maximize Life’s Minimal Moments Through Dreamy, Emotive Love Songs

by Mitch Mosk
Outlaw Music Festival 2024 © Aidan Moyer
Festival, Music, ReviewsAugust 12, 2024<August 12, 2024

Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey

by Aidan Moyer
Quiet Light © Leah Blom
Music, ReviewsAugust 12, 2024<August 12, 2024

One Year of ‘Blue Angel Sparkling Silver’: Revisiting Quiet Light’s Sweeping Sonic Cosmos

by Rachel Leong
Chappell Roan © Tim Snow, Osheaga 2024
Festival, Music, ReviewsAugust 12, 2024<August 12, 2024

Review: Osheaga 2024 Rocked, Sweated, and Belonged to Chappell Roan

by Oliver Crook
Blur: To The End screenshot
Film, Music, ReviewsAugust 12, 2024<August 12, 2024

Review: ‘Blur: To the End’ Is a Bad Doc About a Brilliant Band

by Liv Goodbody
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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