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Ice Spice 'Y2K!' © Coughs 7
Debut, Music, Our Take, ReviewsAugust 20, 2024<August 21, 2024

Our Take: Ice Spice Delivers an Energetic Sort-of-Full-Length Debut, ‘Y2K!’

by Josh Weiner
Marlin's Dreaming © Jake Munro
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

“Happy, Sleepy, & Sad”: Inside Marlin’s Dreaming’s Tranquil, Triumphant & Charged Fourth LP, ‘HIRL’

by Mitch Mosk
Clairo © 2024
Music, ReviewsAugust 20, 2024<August 20, 2024

Review: Clairo Revitalizes Lana Del Rey’s “Brooklyn Baby”

by Marc Maleri
Laura Marling © Tamsin Topolski
Columns, Music, Today's SongAugust 20, 2024<August 20, 2024

“We’re patterns in repeat… and we’ll always be”: Laura Marling Reflects on “Patterns,” a Shimmering & Heartfelt Ode to Motherhood

by Jake Fewx
The Greeting Committee © Tyler Krippaehne
Concerts, Music, ReviewsAugust 20, 2024<August 20, 2024

Live Review: Celebrating Everything Old & New at The Greeting Committee Concert

by Hannah Burns
I can feel your power: 'Deadpool & Wolverine' sees Ryan Reynolds joined by Hugh Jackman, clad for the first time in a comic book cowl and ballistic unitard © Aidan Moyer
Music, ReviewsAugust 20, 2024<August 20, 2024

No End and No Beginning: Inside the ‘Deadpool & Wolverine’ Soundtrack

by Aidan Moyer
Atwood Magazine's Weekly Roundup | August 19, 2024
Columns, Features, Music, Weekly RoundupAugust 19, 2024<August 21, 2024

Atwood Magazine’s Weekly Roundup: August 19, 2024

by Atwood Magazine Staff
Novo Amor's Ali Lacey in his art room © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

“I’m setting free”: Novo Amor’s Ali Lacey Finds Strength in Fragility on ‘Collapse List,’ an Album of Upheaval & Rediscovery

by Mitch Mosk
OMBIIGIZI © Natasha Roberts
Music, Music Videos, PremieresAugust 19, 2024<August 19, 2024

“Smothered by the dream”: OMBIIGIZI Premiere “Laminate the Sky,” a Song of Freedom, Place, & Truth Off Sophomore LP ‘Shame’

by Mitch Mosk
Loup Barrow © Roddy Cunningham
Interviews, MusicAugust 19, 2024<August 19, 2024

Interview with Loup Barrow: An Inventive Percussionist Is Back From the French Coast With New LP ‘Immineo’ in Tow

by Josh Weiner
Hana Giraldo "Reputation" music video still
Columns, Music, Today's SongAugust 19, 2024<August 19, 2024

With “Reputation,” Hana Giraldo Steps into the Spotlight and Flips the Public’s Perception Upside-Down

by Grace Holtzclaw
Amy Shark 'Sunday Sadness' © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

Interview: Sundays Are for Amy Shark

by Emma Rayder
Isabel Dumaa "C'est La Vie" © Breanna Lynn
Columns, Interviews, Music, Today's SongAugust 16, 2024<August 19, 2024

Interview: Isabel Dumaa’s “C’est La Vie” Is an Anthem of Angst, Liberation, & Acceptance

by Mitch Mosk
Footballhead © Morgan Paige
Music, ReviewsAugust 15, 2024<August 15, 2024

Review: Footballhead Deliver a Ripping Alt-Rock Record on ‘Before I Die’

by James Crowley
Psychic Lines © Steve de Seve
Columns, Music, Today's SongAugust 15, 2024<August 14, 2024

Today’s Song: Brooklyn Trio Psychic Lines’ “LA in My Mind” Captures the Idea of Clinging onto a Beautiful Illusion

by Chloe Robinson
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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