Columns, Music, Today's SongMay 18, 2024<May 17, 2024 “I’m a soft target and you know it”: Rosalie James’ Neurodivergent Indie Rock Anthem Is a Powerful Mission Statement by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 22, 2024 Track-by-Track: Victoria Victoria Hurts So Good in ‘Sweetest Ache,’ an Album of Angst, Soul-Searching, & Soothing Pop Songwriting by Mitch Mosk
Debut, Features, Interviews, MusicMay 17, 2024<May 17, 2024 “Can We Pause Right Here?”: Friday Pilots Club Discuss Compromise, Criminal Careers, & Their Debut Album ‘Nowhere’ by Emma Rayder
Features, Music, Reviews, RoundtableMay 17, 2024<June 29, 2024 Roundtable Discussion: A Review of St. Vincent’s ‘All Born Screaming’ by Atwood Magazine Staff
Artist to Watch, Columns, Interviews, Music, Today's SongMay 17, 2024<May 17, 2024 “‘Bed’ feels like a window into my mind”: Artist-to-Watch Riah on Her Exhilarating, Anxiety-Fueled Indie Pop Anthem by Mitch Mosk
Columns, Features, Music, Weekly RoundupMay 17, 2024<May 22, 2024 Atwood Magazine’s Weekly Roundup: May 17, 2024 by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 17, 2024 Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’ by Mitch Mosk
Music, PremieresMay 16, 2024<May 16, 2024 “Don’t Have to Do It Yourself”: Joe George’s Latest Single off ‘Folk Cinema’ Is a Soothing Symphony of Empathy & Understanding by Mitch Mosk
Music, PremieresMay 16, 2024<May 16, 2024 “You were never really there”: Alana Yorke’s “Let Me Go” Is a Cathartic & Cleansing Fever Dream by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 16, 2024<May 16, 2024 “The margarita pizza of my music career”: Mat Kearney Is All-In on His Self-Titled Eighth Album by Mitch Mosk
Features, Interviews, MusicMay 16, 2024<May 16, 2024 “I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability by Madeleine Eggen
Music, Music Videos, PremieresMay 15, 2024<May 15, 2024 Premiere: Sydney’s YAGKI Is Intimately Exposed on “Something I Do,” an Alt-Pop Upheaval of Emptiness & Detachment by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024 ‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album by Mitch Mosk
Features, Interviews, MusicMay 15, 2024<May 15, 2024 “What Is Time? What Is Life?”: Shannon & The Clams Discuss Grief, Rage, & What Occurs When ‘The Moon Is in the Wrong Place’ by Kevin Cost
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024 “I’ll give you my head, my heart, my bones”: Devon Trio Tors Embrace Honesty & Intimacy in Heartfelt ‘Miracle’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
