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juicer © Barrett Shuler
Debut, Features, Interviews, Music, Track-by-TrackJune 20, 2024<June 20, 2024

Retire the Fences: Brooklyn’s juicer Unleash Waves of Dreamy Indie Rock Wonder in Their Debut Album

by Mitch Mosk
Sohodolls "Napoleon Baby" © 2024
Music, PremieresJune 20, 2024<June 21, 2024

“Battlefield inside my brain”: Sohodolls Premiere “Napoleon Baby,” a Song of Dreams, Drives, and the Seduction of Success

by Mitch Mosk
False Comforts by Max Blansjaar
Debut, Features, Music, PremieresJune 20, 2024<June 20, 2024

Album Premiere: Max Blansjaar’s Debut LP ‘False Comforts’ Is a Radical Record of Rebellion, Reckoning, & (Un)Resolve

by Mitch Mosk
viisi © SJ Spreng
Interviews, MusicJune 20, 2024<June 20, 2024

Interview: Remaining an Optimist Amidst Dysfunction, viisi Takes Us Inside the Relationship That Inspired New Single “paradise”

by Grace Holtzclaw
Three Hands Clapping: Linda McCartney, Paul McCartney and Denny Laine circa 1974. They remained the core trio of Wings until the band’s dissolution in 1981. © Aidan Moyer
Features, Music, ReviewsJune 20, 2024<June 20, 2024

Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration

by Aidan Moyer
Joe P © Jimmy Fontaine
Features, Interviews, MusicJune 20, 2024<June 19, 2024

“We take pictures so we remember who we are”: NJ’s Joe P Talks Memory, Photography, & His Impassioned Anthem “Birthday Baby”

by Mitch Mosk
Pale Waves 'Perfume' © Kelsi Luck
Music, Reviews, This Just InJune 19, 2024<June 19, 2024

“I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume”

by Aaron Childree
Abe the Kid © 2024
Columns, Music, Today's SongJune 19, 2024<June 19, 2024

Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR”

by Ciaran Short
Brigitte Calls Me Baby © Scarlet Page
Music, Reviews, This Just InJune 19, 2024<June 19, 2024

Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive”

by Mitch Mosk
Glass Animals © Drewby Perez
Columns, Music, Today's SongJune 19, 2024<June 18, 2024

“Water, running down my face”: Glass Animals’ Aching, All-Consuming Anthem “A Tear in Space (Airlock)”

by Mitch Mosk
brat - Charli XCX
Features, Music, Reviews, RoundtableJune 18, 2024<June 29, 2024

Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion

by Atwood Magazine Staff
Parachutes - Coldplay
Columns, Music, Music & CitiesJune 18, 2024<February 11, 2025

Music & Cities: Coldplay’s ‘Parachutes’ in León, Mexico

by David Buyze
Polycrisis - Gloom Girl MFG
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Gloom Girl MFG Sneer, Distort, & Destroy Their Nashville Roots on Brilliant EP ‘Polycrisis’

by Oliver Crook
Amanda Bergman © Julia Mård
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Amanda Bergman’s ‘Your Hand Forever Checking on My Fever’ Is a Culmination of Life and Her Place in It

by Rachel Leong
Blind Pilot © 2024
Columns, Features, Interviews, Music, Today's SongJune 18, 2024<June 24, 2024

“There’s always a deeper truth to hold”: Blind Pilot Soar Once More on “Just a Bird,” Their First Song in 8 Years

by Mitch Mosk
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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