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Been Stellar © Gabe Long
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024

Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption

by Mitch Mosk
Talk Show © Ash Rommelrath
Debut, Features, Interviews, Music, Track-by-TrackMarch 14, 2024<March 14, 2024

Track-by-Track: London’s Talk Show Unpack Their Debut LP ‘Effigy,’ a Darkly Alluring Post-Punk Fever Dream

by Mitch Mosk
Kat Cunning © McCall Olsen
Interviews, MusicMarch 14, 2024<March 19, 2024

Interview: Kat Cunning Looks for the Best in Others with Their Passionate “Heart of Gold”

by Chloe Robinson
R.E.M. © Jem Cohen
Columns, Music, Nostalgia Tracks, ReviewsMarch 14, 2024<March 14, 2024

Remembering “Electrolite,” R.E.M.’s Phosphorescent Farewell to Hollywood’s Golden Age

by Guest Writer
Giant Rooks © Timothy Schaumburg
Features, Interviews, MusicMarch 14, 2024<March 14, 2024

“No need to be more than we are”: Giant Rooks Delve into ‘How Have You Been?’ and How the Challenges Proved Worthwhile

by Isabella Le
Pillow Queens © Martyna Bannister
Columns, Music, Today's SongMarch 13, 2024<March 13, 2024

“I don’t want to ruin my life, but I want to go home with you”: The Fire & Fury of “Like a Lesson,” Pillow Queens’ Intoxicating Indie Rock Fever Dream

by Mitch Mosk
ANT ENOCH & MORETON © Xinger Xanger
Debut, Music, Music Videos, PremieresMarch 13, 2024<March 15, 2024

“Everything that makes you feel, makes me feel”: Intimacy’s Intensity Comes to Life on “Tunnel Road,” Ant Enoch & Moreton’s Smoldering Love Song

by Mitch Mosk
Chaz Cardigan © courtesy of the artist
Features, Interviews, Music, News, Pop Matters, TravelMarch 13, 2024<March 13, 2024

Interview: Chaz Cardigan’s Conceptual ‘A Year in Glassland’ Is a Selfless Telling of His Story… By Him, for Me & You

by Noah Wade
Julien Chang © Tommy Waldo
Editorials, MusicMarch 13, 2024<March 13, 2024

“Prepositions”: An Essay by Julien Chang

by Guest Writer
Maggie Lindemann 'HEADSPLIT' © Samantha Simmons
Features, Interviews, MusicMarch 13, 2024<March 13, 2024

“A Different Side of Me”: Maggie Lindemann Knows No Bounds on Exploratory ‘HEADSPLIT’ EP

by Aidan Mega
Konradsen © Marthe Thu
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024

Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape

by Mitch Mosk
Abby Holliday © Samuel Greenhill
Columns, Music, Today's SongMarch 12, 2024<March 12, 2024

“Don’t turn out the light when I’m in the room”: The Infinite Ache of “Immortal,” Abby Holliday’s Gut-Wrenching Love Song

by Mitch Mosk
JEMS © Jayden Becker
Editorials, Women's History MonthMarch 12, 2024<March 12, 2024

“Bridging Music’s Gender Gap”: An Essay by JEMS for Women’s History Month

by Guest Writer
Sara Fjeldvær © Sigrid Erdal
Features, Interviews, MusicMarch 12, 2024<March 12, 2024

Interview: Bright and Full of Inner Reflection, Sara Fjeldvær Lights a New Path on Sophomore Album ‘Stars’

by Jaclyn Kelly
Feliz Final © Paula Tudela
Debut, Features, Interviews, MusicMarch 11, 2024<March 11, 2024

Track-by-Track: Exploring the Haziness and Intensity of ‘Nostalgia’ With Feliz Final’s Debut EP

by Frankie Rose
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  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

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Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
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  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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