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Bea and her Business © Lewis Vorn
Columns, Music, Today's SongMarch 29, 2024<March 29, 2024

“I’m a wet wipe”: London’s Bea and her Business Catches Big Feelings on “WOW!” an Irresistible Ode to Falling in Love

by Mitch Mosk
Jeremiah Fraites © Rachel Deeb
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Interview: The Lumineers’ Jeremiah Fraites on the Intimacy of Piano Music

by Brianna Corrine
Close Talker © Nicole Plett
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Track-by-Track: Close Talker’s Achingly Intimate, Self-Reflective ‘The Sprawl’ Dwells in Vulnerability & Soul-Stirring Sound

by Mitch Mosk
Aoife O'Donovan © Sasha Israel 8.7
Music, ReviewsMarch 29, 2024<March 29, 2024

Review: Aoife O’Donovan Grasps the American Woman’s History of Power & Trauma on ‘All My Friends’

by Christine Buckley
Taylor Sanders © Barbara Potter
Editorials, Music, Women's History MonthMarch 29, 2024<April 1, 2024

“Finding Harmony: My Journey as a New Mother in the Music Industry”: An Essay by Taylor Sanders for Women’s History Month

by Guest Writer
Katy Kirby © Tonje Thilesen
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024

Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC

by Hannah Burns
Royel Otis © Alex Wall
Debut, Features, Interviews, MusicMarch 28, 2024<March 28, 2024

Stripping Songs Down to Their Simplest Parts: A Conversation with Royel Otis

by Claire Meyer
Temme Scott © Caity Krone
Interviews, Music, Music Videos, PremieresMarch 28, 2024<March 28, 2024

“What if I don’t love you in the morning?”: Temme Scott Premieres Her Beautifully Aching Anti-Love Song, “Softly”

by Mitch Mosk
Brett Altman © Hayley Altman
Music, PremieresMarch 28, 2024<March 28, 2024

“I want you to see me as I am”: The Heat, Heartache, & Dark Pop Passion of Brett Altman’s “Eye Masking”

by Mitch Mosk
Cinders © Sarah Fender
Music, PremieresMarch 28, 2024<March 28, 2024

“I feel it in my blood”: Salt Lake City’s Cinders Fuel the Fire Within on “Don’t Wait Up”

by Mitch Mosk
King Isis © Gianni Gallant
Features, Interviews, MusicMarch 28, 2024<April 11, 2024

Shedding Old Skin: King Isis Talks Grunge, Shadow Work, and Breakthroughs on New EP ‘shed’

by Emma Rayder
Fright Years © Rory Barnes
Columns, Music, Today's SongMarch 27, 2024<March 27, 2024

“When I see you, I’m all blue”: Edinburgh’s Fright Years Embrace the End in “Blue,” a Messy, Sweaty Breakup Anthem

by Mitch Mosk
EEVAH © Simon Walker
Music, PremieresMarch 27, 2024<March 28, 2024

“Why don’t you say what you feel?”: Leeds’ EEVAH Erupt With a Fiery Passion in “Heartbeat Is Missing,” a Cathartic In-Your-Face Anthem

by Mitch Mosk
Angie McMahon © Ben Niesen
A Casual Ramble, Columns, Concerts, MusicMarch 27, 2024<March 27, 2024

A Casual Ramble: Trusting in the Universe With Angie McMahon, Live at Portland’s Star Theater

by Ben Niesen
Olie Beckett © courtesy of the artist
Debut, Interviews, MusicMarch 27, 2024<March 27, 2024

“I Want Sparks to Fly”: Young Artist Olie Beckett Aims to Transform the World Around Him Through Music

by Grace Holtzclaw
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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