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JD Hinton © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 29, 2024<May 29, 2024

“Waco to Hollywood”: An Essay by JD Hinton for Mental Health Awareness Month

by Guest Writer
Abby Holliday "The Price" © Grace Holliday
Columns, Music, Today's SongMay 28, 2024<May 28, 2024

“All at once, I’m met with my past”: Abby Holliday Pays “The Price” in Her Cathartic, Achingly Intimate Anthem of Acceptance & Letting Go

by Mitch Mosk
The Howl & The Hum "Same Mistake Twice" © 2024
Columns, Music, Today's SongMay 27, 2024<May 25, 2024

The Howl & The Hum’s “Same Mistake Twice” Is a Dynamic, Dramatic, & Deeply Sentimental Return

by Mitch Mosk
Gracie Abrams © Abby Waisler
Columns, Music, Today's SongMay 26, 2024<May 24, 2024

Today’s Song: Gracie Abrams Dives Headfirst into Love on Her New Single “Risk”

by Aaron Childree
Peter Cat Recording Co. © 2024
Columns, Music, Today's SongMay 25, 2024<May 24, 2024

Peter Cat Recording Co.’s “People Never Change” Disguises Reflective Derision Under a Breezy Concoction of Disco-Inflected Experimentalism

by Liv Goodbody
Sinkane's Ahmed Gallab © Chloe Morales-Pazant
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“A love letter to the Black experience”: Sinkane’s Ahmed Gallab Talks New Album ‘We Belong,’ Finding Purpose Through Community, & the Joys of Music Theory

by Mitch Mosk
Softcult © Kayleen Widdoes
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“Heaven isn’t what they tell you it is”: Softcult Showcase Their Authentic Activism & Songwriting Craftsmanship on ‘Heaven’ EP

by Olivia Martinez
Rebounder "Sunset Vision" © Phoenix Johnson
Columns, Music, Today's SongMay 24, 2024<May 24, 2024

Today’s Song: New York City’s Rebounder Return with a Fresh Wave of Buzz and a New EP via “Sunset Vision”

by Beau Hayhoe
Atwood Magazine's Weekly Roundup | May 24, 2024
Columns, Features, Music, Weekly RoundupMay 24, 2024<May 28, 2024

Atwood Magazine’s Weekly Roundup: May 24, 2024

by Atwood Magazine Staff
AJR's Jack Met © Isabella Le
Concerts, Music, ReviewsMay 24, 2024<May 24, 2024

Live Review: AJR Strike Ears, Eyes, & Hearts on the “Maybe Man” Tour in San Diego

by Isabella Le
A-Zal © 2024
Features, Interviews, MusicMay 24, 2024<May 24, 2024

Interview: From Mumbai to New York City, A-Zal Is Fully Engrossed In His Pop Journey

by Noah Wade
Ava Vegas "Saddest Disco Girl" © Izzy Offer
Music, PremieresMay 23, 2024<May 23, 2024

“I came here for the drama”: Dance Away the Heartache With Ava Vegas & French Horn Rebellion’s “Saddest Disco Girl”

by Mitch Mosk
twisted teens - twisted teens
Debut, Music, ReviewsMay 23, 2024<May 23, 2024

“A Garage Rock Record That’s Definitely Not a Garage Rock Record”: Twisted Teens Explore Masculinity, Spirituality, & Sexuality on Their Energetic Debut Release

by Guest Writer
Holly Bruce © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 23, 2024<May 23, 2024

“My Journey to Choosing Love”: An Essay by Holly Bruce for Mental Health Awareness Month

by Guest Writer
King Kyote © 2024
Music, PremieresMay 23, 2024<May 23, 2024

“Baby we’re a ghost town”: King Kyote’s Soul-Soaked “Weapon” Is a Smoldering, Heartfelt Call for Love Over War

by Mitch Mosk
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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© Atwood Magazine 2024 For the Love of Music
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