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Wynona © Lachlan Chester
Features, Interviews, MusicMay 14, 2024<May 14, 2024

“What matters most to us is that these songs exist in the world”: Mum-Jean Rock Band Wynona Are Bringing Back the ’90s With Catchy Anthems & Carefree Charm

by Mitch Mosk
Lee Lewis © Matt Robertson
Artist to Watch, Debut, Features, Interviews, MusicMay 14, 2024<May 14, 2024

“An intense sphere of emotions”: LA’s Lee Lewis Lights an Unforgettable Fire in ‘Something Burning,’ a Record of Trauma, Therapy, & Healing

by Mitch Mosk
Arctic Wave's C.L Turner © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 14, 2024<May 14, 2024

“When Life Rearranges… Everything”: An Essay by Arctic Wave’s C.L Turner for Mental Health Awareness Month

by Guest Writer
She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

by Noah Berghammer
Radical Optimism - Dua Lipa
Features, Music, Reviews, RoundtableMay 14, 2024<June 29, 2024

Roundtable Discussion: A Review of Dua Lipa’s ‘Radical Optimism’

by Atwood Magazine Staff
Vicky Farewell © Robb Klassen
Features, Interviews, Music, Track-by-TrackMay 13, 2024<May 13, 2024

Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album

by Mitch Mosk
Cassandra Jenkins © Pooneh Ghana
Columns, Interviews, Music, Today's SongMay 13, 2024<May 13, 2024

“Stick figure sisyphus”: Cassandra Jenkins Dwells in Her Heartache on “Only One,” a Seductive Song of Emotional Stewing

by Mitch Mosk
Amen Dunes © Michael Schmelling
Music, ReviewsMay 13, 2024<May 13, 2024

Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside

by Hamish Monk
Olivia Dean at Eventim Apollo, May 2024 © Rachel Min Leong
Concerts, Music, ReviewsMay 13, 2024<May 13, 2024

Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London

by Rachel Leong
Camp Saint Helene © Angela Ricciardi & Silken Weinburg
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility

by Mitch Mosk
Maya Hawke © Andrew Lyman
Columns, Music, Today's SongMay 10, 2024<May 10, 2024

Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single

by Aaron Childree
Atwood Magazine's Weekly Roundup | May 10, 2024
Columns, Features, Music, Weekly RoundupMay 10, 2024<May 16, 2024

Atwood Magazine’s Weekly Roundup: May 10, 2024

by Atwood Magazine Staff
Lonestar - Dreamer Boy
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning

by Mitch Mosk
Jodie Nicholson © Ellen Dixon
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 14, 2024

“Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’

by Mitch Mosk
Jordan Rakei courtesy of Verve Label Group
Features, Interviews, MusicMay 10, 2024<May 13, 2024

“I wanted everything to sound like humans in a room”: Jordan Rakei Embraces the Journey of Life in Fifth Album ‘The Loop’

by Desire' Jackson-Crosby
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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